(1) K-3 Illustrated by Matt Schu. With a refrain of "snip, snip, snip!" the story introduces readers to German film pioneer Lotte Reiniger (1899-1981). Lotte's adolescence coincided with the dawn of cinema, a time when movies "were silent but filled with magical sights." She utilized her Scherenschnitte ("scissor cuts") skills to create her own paper-cut puppet shows, eventually seeking the guidance and partnership of cinema professionals. Success with early stop-motion experimentation, along with acclaim for a groundbreaking four-minute animated film, led to a wealthy patron. Reiniger, assisted by her husband and a small crew, worked for nearly three years to complete a sixty-five-minute animated movie titled The Adventures of Prince Achmed, which mesmerized audiences. Schu's exquisite digital illustrations possess a strong sense of illumination and depth, often suggesting a tactile quality, as if constructed from paper. Visually, much of the book is shadowy and dark, particularly around the perimeter of pages, simulating the experience of watching a shadow puppet play; however, bursts of radiant color spotlight (literally and figuratively) key areas of interest. A helpful author's note identifies the Chinese origins of paper cutting and Reiniger's specific contributions to filmmaking (some of which are often incorrectly accredited to Walt Disney). Additional back matter includes a timeline, a bibliography, and a glossary. See also Robinson's Out of the Shadows: How Lotte Reiniger Made the First Animated Fairytale Movie (rev. 3/22).

Reviewer: Patrick Gall | Horn Book Magazine Issue: January, 2023

(1) K-3 Lyrical writing and fanciful scissor-cut, watercolor, and felt pen illustrations are a perfect match for this sophisticated exploration of the life and work of groundbreaking animator Charlotte "Lotte" Reiniger (1899–1981), told in three parts. Each section begins with an elegant title card, as if the reader were watching a silent film. Part one focuses on young Lotte's early life in turn-of-the-twentieth-century Berlin, establishing her love of fairy tales and cinema. After receiving a gift of articulating Chinese puppets, her life is forever changed from being "a reader and viewer of stories into a teller of stories." As a teenager, her unique interests in both acting and Scherenschnitte ("scissor cuts") lead to an opportunity to experiment with stop-motion in what becomes a wildly popular film. Parts two and three chronicle her meeting of her future husband/creative partner, introduction to the Tricktisch (or "trick/animation table"), and journey to create the first animated fairy-tale feature film, The Adventures of Prince Achmed (1926). Every spread offers an exceptional visual experience, regularly amplifying aspects of the narrative. For example, winding film tape gracefully draws the reader's eye across the page, while a stunning vertically orientated layout reinforces how a multiplane camera works. Vivid watercolor washes, similar to dyes used throughout Reiniger's films, pop against the mostly black backgrounds and silhouetted figures. Substantial back matter includes bibliographic resources as well as an author's note summarizing Reiniger's multi-decade career (and acknowledging the orientalism found in her early work).

Reviewer: Patrick Gall | Horn Book Magazine Issue: March, 2022