(2) 4-6 Adapted by Ibram X. Kendi. Illustrated by Jazzmen Lee-Johnson. In 1860, more than fifty years after the United States outlawed the slave trade, the ship Clotilda journeyed back to Alabama from West Africa, carrying kidnapped people. Years later, Hurston, renowned anthropologist, writer, and folklorist, interviewed eighty-six-year-old Cudjo Lewis (born Oluale Kossula), who was purportedly the last survivor of the ship, at his home in Plateau, Alabama. Kendi (adapter of Hurston's Magnolia Flower, rev. 11/22, and The Making of Butterflies, rev. 5/23) has adapted the seminal work, first published in 2018, for young readers. He opens by providing thoroughly drawn context, characterizing the transatlantic human trade as the "most dramatic chapter in the story of human existence" and describing the horrific conditions under which enslaved people existed. In African American Vernacular English, or Ebonics ("I want tell-ee somebody who I is...I want you everywhere you go to tell everybody what Cudjo say"), the man shared memories of his family and community in his home village, the harrowing Middle Passage, his five-and-a-half years of enslavement, and his freedom following the Civil War during which he married, had children, and cofounded AfricaTown (later renamed Plateau). Throughout the story, his loneliness and longing to return to his native home are palpable, supplying readers with an intimate perspective on his strength to survive. Kendi illuminates these memories in a captivating narrative that exudes empathy and authenticity. Pencil and black ink drawings (unseen) accompany the text. Powerful, profound, and necessary.

Reviewer: Pauletta Brown Bracy | Horn Book Magazine Issue: January, 2024

(2) PS Adapted by Ibram X. Kendi. Illustrated by Kah Yangni. In this board-book adaptation of a pourquoi story chronicled in Hurston's 1935 anthology Mules and Men, Kendi and Yangni collaborate to introduce young children to the African American folklore tradition and to Hurston's importance within that tradition. "The Creator wuz all finished and thru makin' de world," but then notices that the world looks too bare. So they add "trees and grass and flowers and plants"; when the flowers complain about feeling lonesome, the Creator goes "'round clippin' li'l pieces offa everything," thereby creating butterflies. Yangni's vibrant mixed-media illustrations span a range of settings--rural and urban, historical and current--accompanied by brilliantly colored butterflies throughout. "Butterflies were made to keep de flowers company" is the satisfying resolution. Kendi (who previously adapted a Hurston short story in Magnolia Flower, rev. 11/22) preserves Hurston's use of Black English, and his closing note provides rich historical context about both Ebonics and the importance of Hurston's work as a folklorist.

Reviewer: Kim Parker | Horn Book Magazine Issue: May, 2023

(2) K-3 Adapted by Ibram X. Kendi. Illustrated by Loveis Wise. Kendi's (Stamped, rev. 5/20) adaptation of a short story by Hurston softens (or leaves out) the original's violence, adds elements that are explained in a historical endnote, and retains the narrative frame of a "Mighty River" telling a brook a story about people in love. The tale begins with Bentley, who escapes enslavement and marries Swift Deer, a Cherokee woman. They have a daughter they name ­Magnolia Flower, who grows up during the Civil War and falls in love with a brown-skinned man named John. Bentley doesn't approve of John and locks him up to keep the lovers apart. Magnolia Flower frees him and they run away. The story ends with their return to the banks of the river forty years later. Both the lyrical text and the flowing digital illustrations let the theme of love running through Hurston's stories shine. Wise's (The People Remember, rev. 11/21; Ablaze with Color, rev. 3/22) brightly colored images capture the beauty of the forest and the love between ­Magnolia Flower and John. In his appended author's note, Kendi explains his intention behind adapting a short story for adults as a picture-book text: "The earlier we expose our children to our literary treasures--to our literary legends like Hurston--the ­better."

Reviewer: Nicholl Denice Montgomery | Horn Book Magazine Issue: November, 2022