(2) YA In this introspective verse novel, American narrator Nina spends the summer with her aunt in Paris, as her whole family used to do regularly; the visits stopped three years earlier after Nina’s older sister, Lily, died in a bicycle accident. Nina intends to complete Lily’s unfinished “13 Before 13” list before her own thirteenth birthday at the end of the trip. As she crosses off items (which range from “eat a food I’ve never heard of before” to “first kiss”), visions of moments from her sister’s life appear, revealing aspects of their not-always-perfect relationship. Lily complained that Nina was a copycat, and Nina’s arc of finding what she needs now for herself is both poignant and hopeful. Those needs include more open discussion of the family’s loss with her parents as well as openness about her attraction to other girls (and the summer includes the sweet, tentative beginnings of a romance with Sylvie, a girl in her art class). Accessible free verse keeps pages turning, with variations in line breaks and placement on the page helping to pace emotion and, especially, introduce the more fantastical moments. A touching portrait of a preteen in a particular, sad situation whose coming-of-age journey may resonate more broadly.

Reviewer: Shoshana Flax | Horn Book Magazine Issue: May, 2025

(2) YA In this verse-novel retelling of the myth of Orpheus and Eurydice, seventh-grade girls Olivia and Eden fall in "like-like" at first sight. Soon, they're meeting up to kiss almost daily and professing their love. But their (secret) happiness doesn't last long. Eden falls in with a reckless crowd, and Olivia reacts with strong, hurtful words. The two are driven further and further apart, but Olivia sets out to reunite them on a quest involving poetry. The source material lends itself to the seriousness with which the protagonists take their situation--and beyond their romance and conflict, there are weighty elements at play, including Olivia's mother's depression and Eden's fear of her homophobic father. It all leads up to an ending that isn't perfectly happy, but one that gives hope to readers rooting for the two girls' connection. Poet Olivia's more deliberate voice ("I scramble to scribble / but my mind says wrong / to every word I write") is distinct from more impulsive music-lover Eden's ("This girl is / a power ballad: / bold, clever, all confidence / joy at full volume"); both are accessible and often impassioned. Hand to middle-school readers ready to be swept up in emotion.

Reviewer: Shoshana Flax | Horn Book Magazine Issue: July, 2023