(2) YA Thirteen-year-old Dorani’s vibrant life in Miami is destroyed after her mother’s sudden death from a heart attack. Her famous father is as absent as ever, so Dorani is sent to live with her mother’s estranged sister, Tía Ivette, who is more accustomed to rehabilitating horses than raising grieving teens. Her aunt’s reticent nature and the claustrophobia of her landlocked Wyoming ranch are hard on Dorani. However, caring adults, the continued presence of Puerto Rican–Argentinian traditions such as Three Kings Day, and a new diverse friend group at school help her acclimate to her new life. Méndez grants Dorani complex bereavement: she feels sociable, humorous, and creative as frequently as she feels homesick, heartbroken, and guilty. Tía Ivette’s hippotherapy techniques allow Dorani to help a mare named Sunshine overcome an injury; caring for Sunshine provides refuge from her own trauma. While Dorani’s unexpected “horse girl” phase brings her closer to Ivette, who is burdened by unresolved conflict with her late sister, it’s ultimately their discovery of a shared sense of social justice that cements their bond. Méndez doesn’t depict the process of healing from loss as effortless or enjoyable but rather as a necessity that’s eased by community. “It’s like taking medicine,” Ivette tells Dorani. “It might taste horrible, but in the end, it’s exactly what you need.”

Reviewer: Ed Spicer | Horn Book Magazine Issue: May, 2025

(3) 4-6 Twelve-year-old Valeria “Magic” Salomón is a skilled soccer player grappling with personal and family challenges. Booted off her boys’ team after some unfortunate events, Valeria joins an all-girls team, the Amazons, where she must adjust to new dynamics and prioritize teamwork over individual skill. A heartfelt and realistic story about resilience, and family struggles, this book will resonate with young readers, especially those who love sports and character-driven stories.

Reviewer: Summer Edward

(3) K-3 Illustrated by Jaime Kim. When everyone asks a light brown–skinned girl the titular question, she's confused: "I'm from here." Then Abuelo takes her on a dreamy tour, from South America's Pampas to a warm island to "this land where our ancestors...were in chains." Most importantly, though, she's from Abuelo's "love and the love of all those before us." Warm watercolor and digital art illustrates the overt but useful story.

Reviewer: Melinda Greenblatt