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(3)
PS
Illustrated by
Daniel Kirk.
"Over by the dirt pile in the sizzling summer sun / works a mama bulldozer with her little dozer ONE." Each of ten taut rhymes (which follow the scheme of "Over in the Meadow") spotlights a parent-truck-and-offspring collaboration. Catchy rhymes, cheerful-looking trucks with individualizing features, onomatopoeia ("moosh moosh"), and words that stutter ("s-s-swoop s-s-swup")--what preschooler would turn away?
32 pp.
| Scholastic/Orchard
| January, 2010
|
TradeISBN 978-0-545-01756-5$16.99
(3)
PS
Illustrated by
Daniel Kirk.
One night an owl flies a "sleepyhead" child through the sky and reveals how various animals spend their time after sundown. The graceful rhymes ("A sleek raccoon with bandit eyes, / Takes his nightly exercise") and calm, moonlit illustrations (some featuring animals in close-up) create a soothing lullaby.
32 pp.
| Hyperion
| September, 2006
|
LibraryISBN 0-7868-5615-7$15.99
(3)
PS
Illustrated by
Daniel Kirk.
A hardworking "tugga-tugga tugboat" guides tanker ships and puts out fires in a harbor. Gradually the bright, clear illustrations start to show bar soap and rubber ducky cargo; bubbles appear in the ocean, and the perspective pulls back to reveal a boy in his bathtub playing with a toy boat. The text's jaunty rhythm and imaginative presentation will delight young listeners.
32 pp.
| Hyperion
| September, 2002
|
TradeISBN 0-7868-0534-X$$14.99
(3)
PS
Illustrated by
Daniel Kirk.
When their truck full of bones gets stuck in a huge pothole, two dogs seek help from a variety of passing vehicles, but nothing works until a tow truck arrives to pull them out. Though the jaunty rhyming text never mentions it, the sleek, colorful illustrations reveal that a band of prairie dogs has engineered the whole incident and is making off with all the bones.
32 pp.
| Simon
| June, 2002
|
TradeISBN 0-689-83435-7$$16.95
(2)
PS
Illustrated by
Daniel Kirk.
This introduction to animal communication radiates warmth and affection. The questions and answers about each animal have the right tone and timing--"Do zebras who meet on the plain say hello? Oh, yes"--inviting participation. The wild animals in the oil portraits are slightly more rounded and human in expression than in real life, making the final picture of a boy and mom among the animal pairs seem perfectly natural.
Reviewer: Lauren Adams
| Horn Book Magazine Issue:
July, 2002
5 reviews
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