(2) K-3 Illustrated by Chris Turnham. Readers meet poet and conservationist William Stanley Merwin (1927–2019) as a child, reading a book in his clover-and-dandelion-studded backyard. Alas, that's the closest he can get to the "wild places" he loves, as his family lives in a town "where the wild parts had been straightened out." This is depicted by Turnham as an oppressive grid, with smoke issuing from automobiles, chimneys of identical row houses, and a factory. Summertimes, though, are spent in the woods, "where trees grew where their seeds had fallen." As a young man, Stanley realizes "writing poetry was like visiting a wild place," but he still yearns to live among nature and moves to Hawaii. There he finds a plot of land on Maui that's been "wounded" by chemicals--and that he heals over decades until it is a thriving wilderness. Fountain uses a spare text that emphasizes Merwin's role of conservationist over that of poet (she does append one poem following her author's note). The metaphor of "unstraightening" is effective, and the message that "poisoned" land can be healed with care and time is a bracing one. Turnham's crisp illustrations are somewhat more effective for the "straightened-out" scenes than for Merwin's wilderness, where muted tones fail to capture true lushness, but his palm trees do spread out in profusion.

Reviewer: Vicky Smith | Horn Book Magazine Issue: September, 2022

(3) K-3 Illustrated by Chris Turnham. Charles sets off with his trusty friend, Boggan (a sled), in search of a wish tree, helping woodland creatures along the way (e.g., hauling hazelnuts for Squirrel). Maclear's contemplative text emphasizes the sights and sounds on their woodland journey rather than Charles's motivation or mysterious wish. The digital illustrations use a muted palette of slate and rose to evoke a winter sunset.

Reviewer: Lisa Catherine Findlay