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(4)
YA
Translated by Y. Maudet.
Mélie feels like she had two mothers: "Rosy Mom" in public and "Dark Mom" lurking at home. To cope, Mélie self-prescribes obsessive behaviors. Upon reaching adolescence, she realizes her rituals have failed and she must break her silence. Mélie is sympathetic, but the third-person text feels detached, more a case study than a story.