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YA
In this ambitious work, Bray alternates three seemingly disparate stories, briefly braiding them into one near the novel's end. In 1940s Germany, Sophie and Hanna are devotees of the Bridegroom's Oak, a hollow tree famed as a post box for exchanging love letters. As the Nazi regime becomes increasingly brutal and the girls work for the resistance, what better use for it than as a drop for forged documents? In the 1980s, overprotected Texan teen Jenny, who has moved with her family to West Berlin, takes on a new, rebellious life when she falls in love with punk band founder Lena, who is determined to pull off a dangerous rescue in East Berlin. And in 2020s Brooklyn, under COVID-19 lockdown, Miles and Chloe use their Zoom meetings to translate clippings and letters belonging to Chloe's German grandmother. The novel's strength lies in Bray's careful characterization of Sophie and Hanna and in the suspenseful life-or-death stakes of their story, generating momentum for the three-strand plot: how are the girls connected to characters in Berlin and Brooklyn? Thematic connections among the three milieux are patent, from fascist "making Germany great again" to perilously restrictive communist East Germany to the murder of George Floyd. Occasional peculiarities of expression ("one day, that fish who had been a boy would grow into a great whale") appear in writing that is generally sharply effective. Throughout, Bray stresses the value of resistance to "our flawed world's inhumanity, intolerance, and authoritarianism" by means of "acts both large and small."
Reviewer: Deirdre F. Baker
| Horn Book Magazine Issue:
March, 2025