As a digital subscriber, you’ll receive unlimited access to Horn Book web exclusives and extensive archives, as well as access to our highly searchable Guide/Reviews Database.
To access other site content, visit The Horn Book homepage.
To continue you need an active subscription to hbook.com.
Subscribe now to gain immediate access to everything hbook.com has to offer, as well as our highly searchable Guide/Reviews Database, which contains tens of thousands of short, critical reviews of books published in the United States for young people.
Thank you for registering. To have the latest stories delivered to your inbox, select as many free newsletters as you like below.
No thanks. Return to article
World More Beautiful: The Life and Art of Barbara Cooney
40 pp.
| Random/Random House Studio |
August, 2024 |
TradeISBN 9780593484388$19.99
|
LibraryISBN 9780593484395$22.99
|
EbookISBN 9780593484401$11.99
(2)
K-3
Illustrated by
Becca Stadtlander.
From the Brooklyn hotel room in which she was born to the Maine coast where she spent many years, Barbara Cooney (1917–2000) sought color and light, which Kunkel adopts as her leitmotif. Cooney's merchant father's fondness for "numbers ticking steadily away in black and white" is contrasted with her artist mother's encouragement to create, and with the vibrancy and freedom of Maine, where the family summered. Working as an illustrator, Cooney was initially confined to black and white, dutifully plying the scratchboard "because there [were] houses to heat and children to feed." Taking her subject's simplicity of prose as a model, Kunkel does not name Cooney's oeuvre, instead matter-of-factly folding in references to it. In one spread Cooney is transfixed by the beauty of a rooster; in the next, she creates illustrations for what readers may recognize as the Caldecott-winning Chanticleer and the Fox. Liberated by its "huge success," Cooney traveled widely, Miss Rumphius–like, "soaking up sun, and color, and light" and eventually settling in Maine. Directly echoing Miss Rumphius, Kunkel tells readers that "there [was] still one thing [Cooney] must do": raise money to build a new library in her adopted hometown. Working in gouache, Stadtlander emulates the illustrator's flat, folk art esque style, her palette and compositions harmonizing with Cooney's. Her penultimate spread depicts an adult reading Miss Rumphius to a child, making the connection between author and creation in quiet affirmation of the titular "world more beautiful." Appended with an author's note, a brief bibliography, and an afterword by Cooney's daughter.
Reviewer: Vicky Smith
| Horn Book Magazine Issue:
November, 2024