(2) YA This novel in verse follows the first romantic relationship experiences of a Black, queer, fat teenage boy learning to find love and acceptance within himself. Mack lives in London with his movie director father, whom he rarely sees. His loneliness lifts when he begins a romance with his longtime crush, male classmate K, who is not out; Mack reluctantly agrees to keep the relationship secret but wishes their time together included more than handholding and kissing. When Mack and his father move to Glasgow for two months to film a documentary about Fin, a social media–famous transgender teen, Mack struggles with long-distance intimacy and with his newly developing feelings for Fin. Short stanzas break up the lengthy text, easing readability. Mack's romantic struggles and insecurities are relatable to a broad audience, and the characters are varied enough in race, nationality, religion, sexual orientation, and gender identity that many teens will recognize themselves.

Reviewer: | Horn Book Magazine Issue: July, 2022

(2) YA Winner of the 2020 Stonewall Book Award, this British verse novel by a poet and drag performer offers a welcome exploration of the intersections of race, gender, and sexuality. In first-person narration, Michael chronicles his journey through childhood, adolescence, and early adulthood. Michael is born to a Jamaican father and Greek-Cypriot mother; though his father is distant, he has support from his mother and uncle, as he figures out where he stands in terms of both ethnic identity and sexuality. His penchant for Barbies manifests itself by age six, and crushes on boys follow, but it's a few years before he comes out to his best friend. And it's not until university that he experiences his first sexual relationships and also develops his drag persona. ("When it's time to go onstage, / know that you're not ready but / this is not about being ready, / it's not even about being fierce / or fearless, it's about being free.") The verse can be pedestrian, largely serving to advance the plot, but the development of the Black Flamingo, as a symbol of Michael's queer identity ("I often feel / like a bad egg that was not meant to be...somehow / living and thriving"), is aptly woven throughout this memorable YA debut.

Reviewer: Jonathan Hunt | Horn Book Magazine Issue: May, 2020