As a digital subscriber, you’ll receive unlimited access to Horn Book web exclusives and extensive archives, as well as access to our highly searchable Guide/Reviews Database.
To access other site content, visit The Horn Book homepage.
To continue you need an active subscription to hbook.com.
Subscribe now to gain immediate access to everything hbook.com has to offer, as well as our highly searchable Guide/Reviews Database, which contains tens of thousands of short, critical reviews of books published in the United States for young people.
Thank you for registering. To have the latest stories delivered to your inbox, select as many free newsletters as you like below.
No thanks. Return to article
32 pp.
| Crocodile
| March, 2018
|
TradeISBN 978-1-56656-041-2$17.95
(3)
K-3
Illustrated by
Julie Flett.
In the Nicola Valley, British Columbia, where Interior Salishan peoples live, Nikki and friends forage for wild plants with relatives, including Yayah (grandmother). Yayah emphasizes the importance of plant identification and naming in their endangered Indigenous language, Nłe?kepmxcín. Using the text's pronunciation guidance and the glossary, interested readers will learn along with the young characters. Quiet collage-like art emphasizes the land's natural riches. Author's note included.
32 pp.
| Groundwood
| September, 2011
|
TradeISBN 978-1-55498-084-0$16.95
(4)
K-3
Illustrated by
Kim LaFave.
A girl describes the fun she has visiting her grandfather's farm with her cousins. The writing is acute and the art is lovely in its simplicity; the children's happiness is palpable throughout. The vignettes are based on the author's childhood, and the story line is most likely to appeal to nostalgic adults.
40 pp.
| Groundwood
| August, 2008
|
TradeISBN 978-0-88899-857-6$18.95
(4)
K-3
Illustrated by
Kim LaFave.
Both Shi-Shi-etko and her little brother, Shin-chi, must go to the Indian residential school. Shin-chi keeps the small cedar canoe his father made tucked away, just like everything else Native about him, until they go home. The fuzzy art could have benefited from a lighter digital touch but it effectively conveys the sadness of the story.