(2) YA African American teen Marigold "Mari" Johnson is used to straddling two worlds. While her parents' successful media company has afforded her a life of luxury, she constantly has to prove she's "safe enough" for her private school classmates and "down enough" for her family in District City. Classmate and basketball star Justice understands her more than anyone; but as a "scholarship kid," he still accuses Mari of being clueless when it comes to the stigma he faces as a student--a hardship so prevalent that Justice may transfer. When Justice reveals he's been chosen as part of her parents' fashion internship program, Mari decides to join, too, in an attempt to convince him to stay at their school. Her decision is met with more tension than Mari expected, especially from fellow intern Kara. When the tension culminates in an unexpected revelation, Mari is forced to rethink what privilege truly means, and how to handle it responsibly. In a departure from her books about the crew from The Cove (Turning Point, rev. 3/21, and others), Chase turns her full attention to themes of classism within the Black community. While the first-person narrative doesn't leave much opportunity for readers to become attached to other characters, they are made intimately aware of Mari's thought processes.

Reviewer: Eboni Njoku | Horn Book Magazine Issue: November, 2021

(2) 4-6 The crew from the Cove (So Done, rev. 7/18; Dough Boys, rev. 7/19) is back, and best friends Rasheeda "Sheeda" Tate and Monique "Mo" Jenkins are the featured duo this go-round. Having declared it "the Lonely Summer," Sheeda is sad to lose Mo to a prestigious three-week ballet camp; her only options for a social life are the church acquaintances her strict aunt keeps shoving her toward or bossy, opinionated neighborhood friend Tai. A third option suddenly becomes available when Mo's older brother makes it known he'd like to be more than friends. Meanwhile, Mo, although aware that her brother is trying to run some "weak game" with her best friend, has other concerns. Without having a "typical" ballet body, and as one of the only Black dancers at camp, she faces additional scrutiny in order to prove she's worthy of both the intensive summer training and an invitation to join the ballet school year-round. Empathetic to the ambiguities of Black girlhood, and to adolescence in general, Chase moves effortlessly between Sheeda and Mo's alternating chapters, as they go forward with a better understanding of themselves and each other. Readers will root for Sheeda and Mo's friendship from beginning to end. While the full dynamics of various characters and relationships are made clearer in the previous two books, this novel is a solid standalone.

Reviewer: Eboni Njoku | Horn Book Magazine Issue: March, 2021

(2) YA Relationships between Pirates Cove Projects kids (So Done) in the talented and gifted program and those who aren't have become strained. Best friends "Simp" and Rollie still hang out during neighborhood basketball; unfortunately, the league unofficially requires working for the local drug dealer, and escaping that life is easier said than done. Fans of Jason Reynolds and Angie Thomas will enjoy this rough and relatable novel told in alternating third-person narratives.

Reviewer: Eboni Njoku | Horn Book Magazine Issue: July, 2019

(2) YA Growing up in a low-income housing project, thirteen-year-old friends and dancers Mila and Tai have always trusted each other. After living with her aunt for a summer, Mila seems to care only about auditioning for a new gifted arts program. But Tai's not the only one who's been hurt, and eventually Mila reveals her secret. Readers will root for both young women as they tell their stories in memorable alternating voices.

Reviewer: Eboni Njoku | Horn Book Magazine Issue: July, 2018