(2) K-3 Illustrated by Clover Robin. In this accessible science picture book, a common swift flies from Africa to Europe in order to nest and reproduce in the summer. The two-tiered narrative (larger print tells a streamlined version for younger readers, while smaller print delves into greater detail) includes such noteworthy specifics as swifts' ability to remain aloft without touching the ground for as long as four years, to sleep with one half of their brain at a time while in flight, and to drink raindrops while in motion. Sidebars introduce the life cycle of the parasitic louse fly, which lives in the bird's feathers and pupates in the nesting boxes. Engaging collage-like mixed-media illustrations against varied backgrounds capture the characteristic motion of swifts in flight. The pacing and level of detail are just right for young readers, while the information on life cycle and abilities is sure to impress slightly older ones. Back matter includes a map of the migration route, descriptions of various swift species, a pertinent web address, and an index.

Reviewer: Anita L. Burkam | Horn Book Magazine Issue: March, 2024

(1) K-3 Illustrated by Stephanie Fizer Coleman. "LOOK AT IT. Wounded, worn, twisted, torn. / One day this tree will fall / and this story will end. / Won't it?" So begins this Pacific Northwest set saga of one tree surviving when other giants around it don't. There are so many ways the tree might not have stood. From the very beginning, other seeds landed on bare rock and didn't live, or dropped into a stream, or were eaten. But this tree thrived, despite wind, drought, ice, and fire. And not only survived. "This tree flourished. This tree aged" and became its own ecosystem, "a world / of miniature forests / meadows / rivers / seas... / of silken death traps / and venomous fangs, / of bright, begging mouths / and fluttering wings." Lively, poetic writing and beautiful illustrations in a rich palette, which emphasize unique angles and close-up images of the tree's denizens, combine for a volume perfect for reading aloud, and not only in science classes. Even the youngest of readers and listeners will grasp the concepts of ecosystems and the continuity of life. A model of what an excellent STEM-focused picture book can be in its effective interplay of text and illustrations. Appended is a discussion of the science behind a tree's life, death, and life after death.

Reviewer: Dean Schneider | Horn Book Magazine Issue: March, 2024

(1) K-3 This overview of ants combines cleverly designed graphics and a funny text to convey major concepts about the familiar insects. Expressive-eyed ants march across the pages, first in a show of their large numbers and then to illustrate key ant behaviors. These are succinctly introduced as "Ants love: Family. Micronaps. Recycling. Helping others. Being caught on camera carrying stuff way bigger than they are." Descriptions of ant colonies, cooperation, communication, and ants' role in creating soil follow. The page design is thoughtful and effective; one especially impressive double-page spread describing how ants communicate through pheromones features a sequenced scenario in which doughnut sprinkles are encountered by a single ant, who then leaves a pheromone trail to communicate the food location to the colony. Humorous yet still scientifically spot-on phrases pop up throughout ("Drone. Male. Does no housework. Takes to sky. Reproduces. Drops dead"). The final pages connect ant behaviors to another social species -- humans -- so that readers can be like ants and "leave the Earth in better shape than it was when you got here."

Reviewer: Danielle J. Ford | Horn Book Magazine Issue: March, 2024

(1) 4-6 Illustrated by Nikki McClure. This previously unpublished essay from "poet of science" Carson (1907–1964) is paired beautifully with McClure's cut-paper and swirling ink-wash art. In 1956, a children's television program asked Carson to respond to a child's request for "something about the sky." Her thoughts are as wonderfully ruminative as one might expect from the environmental scientist and nature-writing icon. She chooses the familiar -- clouds -- and connects them to "the ocean in the air," detailing natural phenomena with emphasis on the interconnectivity of Earth's air and water systems. Or, better summarized by Carson: "Clouds are as old as the earth itself -- as much a part of our world as land or sea. They are the writing of the wind on the sky. They are the cosmic symbols of a process without which life itself could not exist on earth." McClure's illustrations are limited mostly to blue, black, and white, highlighting the space and movement of air, wind, oceans, and sky in background washes. Cut-paper images of people in the foreground connect the science concepts to human experiences. In an endnote, McClure explains the origins of Carson's essay, how the book project came about, and the thoughtful and resourceful process she used to create the illustrations.

Reviewer: Danielle J. Ford | Horn Book Magazine Issue: March, 2024

(2) K-3 Illustrated by Emily Sutton. Davies showcases the important role that plants play on Earth as consumers of carbon, producers of oxygen, and mitigators of the effects of human-induced global warming. The meaning of "green" is creatively expanded from the color we associate with plants to encompass the process of photosynthesis and the components of plant cells in which it takes place. "Their green isn't just a color...this green catches the energy in sunlight." Sutton's lush illustrations, naturally featuring many shades of green, fill the pages with tendrils, roots, and leaves at macro and micro scales and portray ecosystems on land and water throughout Earth's history as teeming with plants and animals. As Davies explains the history of plant life and its transformation into today's fossil fuels, the story shifts into how human exploitation of ancient life has meant the release of too much carbon dioxide into our atmosphere. Luckily, today's green plants in the sea and across various environments fight back against climate change. We must "remember that GREEN is the most important color in the world."

Reviewer: Danielle J. Ford | Horn Book Magazine Issue: January, 2024

(2) K-3 From a red cabin in a forest, the young protagonist calls for her dog. "Peppermint! Where is that pesky pup? I'm going out to look for Peppermint! You come too." In the panel-style illustrations that follow, the girl takes readers on a tour of her favorite features of the forest, while the cagey Peppermint comments from a circle inset on each spread. When there are reminiscences (about the time, for instance, when Peppermint came home with a snout full of porcupine quills), the action appears as childlike drawings in the girl's sketchbook (Peppermint: "Maybe not my finest hour"). A mix of the informative and the homey, the narration encompasses elements of history and geology (how millennia earlier, glaciers dropped erratic boulders), botany, zoology (the time a coyote chased them home and they later returned to find its den), and folk wisdom (how to make a whistle out of an acorn cupule), in a visually inviting and intellectually stimulating way. When the naughty Peppermint is at last reunited with her owner, they're rewarded with one of the girl's life-list ambitions: the sight of an elusive fisher regarding them silently from high in a tree. The back matter includes a note from the author about his home and a map showing the Adirondack Mountains, sidebars about porcupines and fishers, and a list of "a few good forest books."

Reviewer: Anita L. Burkam | Horn Book Magazine Issue: January, 2024

(3) 4-6 Prolific wildlife photographer Eszterhas (My Wild Life) turns her lens on meerkats: “little animals with huge personalities!” Dated diary-like entries catalog her twelve-day experience in the Makgadikgadi Pan in Botswana’s Kalahari Desert observing and interacting with a family of meerkats, including a litter of two-week-old pups. The text is enthusiastic (“I still can’t believe what happened today even as I’m writing about it”), accessible, and informative, and the clear, lively photographs, shared in a scrapbook-like format, bring readers up close and personal with the creatures and their habitat. A brief interview with a meerkat habituator and a naturalist guide (Eszterhas’s guides on the trip) and information about the Indigenous Ju/’hoansi people add further context. A glossary is also appended.

Reviewer: Elissa Gershowitz

(4) PS Illustrated by Gareth Lucas. In this picture book with colorful, appealing illustrations, singsong verse introduces information about an octopus’s daily life and life cycle. Callouts in smaller type give additional engaging facts. Glossary, author’s note, and children’s reference books are appended.

Reviewer: Shoshana Flax

(2) K-3 Illustrated by Natasha Donovan. Hocker reminds readers that there is more to nature than a casual glance affords. When a group of child and adult hikers discovers an animal skull, they are prompted to consider what they can deduce from examining it, for this natural relic has a story to tell. "A skull speaks in arches and ridges and caverns of bones. It speaks in teeth and cracks, and holes into, and holes through. It says: I was." Readers turn the page and examine the skull (enlarged from the previous page's illustration), noting the two large openings where eyes once were, eyes that defined this creature as a "watcher." Donovan's full-bleed digital art on the next double-page spread depicts a lynx spotting a rabbit while hunting at twilight. This pattern continues, introducing a deer, a beaver, a hummingbird, a wolf, and an owl: shades of blue outlined in black display each animal's skull, text describes a prominent feature, and the animal is seen in its habitat employing this feature. Extensive back matter utilizes both text and a labeled illustration of a human skull to define features such as orbits, the cranium, and the mandible; additional attributes of the six skulls discussed in the main text; and resources for further inquiry. Once readers catch on to the unusual device of narrators being a succession of animal skulls, the text flows smoothly, and both the facts presented and the plea to appreciate the multiple ways nature speaks to us are clear.

Reviewer: Betty Carter | Horn Book Magazine Issue: January, 2024

(2) K-3 In an assortment of nest homes, baby birds happily await the breakfasts brought by their parents. These basic needs will be familiar to humans, too, providing a welcoming introduction to birds and an invitation to learn more about them. In the pages that follow, Ignotofsky interweaves generalized information about bird life cycles (using the Eastern Bluebird as exemplar) with explanations of bird anatomy and behaviors. Questions placed throughout the text ("What's inside an egg?" "How does a bird know where to go each year?") drive the narrative forward across topics such as nest building, learning to fly, and bird diets. The cheerful illustrations ("created traditionally and using a computer") of cartoonlike birds are the highlight of the book: packed with movement, color, and humor, they sometimes fully cover one or more pages and sometimes divide into smaller panels to explore variations across species or lists, such as the steps readers can take to preserve bird-friendly spaces in their neighborhoods. A short "sources and resources" list is appended.

Reviewer: Danielle J. Ford | Horn Book Magazine Issue: March, 2024

(2) K-3 Illustrated by Tiffany Bozic. Acting as narrator, a young hummingbird describes his first year, beginning when "my older sister and I hatch, two days apart, from eggs as small as navy beans." They feel a breeze "many times a day," signaling that food is coming. And then one day it doesn't. The two wait, cold and hungry, until the next morning when the breeze returns. Here listeners must infer what has happened; a human hand lifts their tiny nest and uses a syringe to feed the babies. They are orphans, now living in a hummingbird rescue center and gradually learning the skills they will need to survive in the larger world. Realistic and delicate, Bozic's depictions of the main points in the narrative (learning how to hover, sip nectar, and catch insects) are rendered in acrylic paint on wood with the birds placed in natural settings and poses, resembling the best of scientific illustrations. Readers follow the two as they make their way in the world, migrate south for the winter, and then return to find mates. An author's note explains that this touching success story is based on an observed hummingbird rescue. Montgomery outlines ways to save such abandoned birds (clearly emphasizing that readers shouldn't try this at home) and the many resources available to help these tiny animals of the Americas. Also appended are facts about hummingbirds, including their size and habitats.

Reviewer: Betty Carter | Horn Book Magazine Issue: March, 2024

(3) 4-6 Four informative chapters--“What Is Nature, Really?” “Nature Is Wonderful...for Everyone,” “Let’s Learn from Nature,” and “Let’s Live with Nature,” each with several clear subtopics--introduce readers to a variety of information about the outdoors and human interactions with it. The book is chock-full of detail, with accessible narration and frequent stock photos and sidebars that help break up the pages. Reading list, websites, glossary, and index are appended.

Reviewer: Elissa Gershowitz

(3) K-3 Meet the Wild Things series. Illustrated by John Rocco. A breezy introduction to the species narrated by a pangolin. Information covered includes diet, behaviors, threats, and habitat. Realistic illustrations and engaging questions will draw readers into the book. Detailed back matter provides more information and discusses why the species is endangered.

Reviewer: Kitty Flynn

(3) K-3 Meet the Wild Things series. Illustrated by John Rocco. A breezy introduction to the species narrated by a sloth. Information covered includes diet, behaviors, threats, and habitat. Realistic illustrations and engaging questions will draw readers into the book. Detailed back matter provides more information and discusses why the species is endangered.

Reviewer: Kitty Flynn

(1) K-3 What did dinosaurs really look like? The best attempts to answer this question are constantly changing. Rubin shows how each major find in paleontology, as well as the techniques and creativity used by paleoartists, have produced improvements in scientifically grounded artistic illustrations. For the iguanodon, unearthed in the early nineteenth century, each subsequent discovery of new fossils, including complete skeletons, was a big help (and one discovery showed that what was thought to be a horn was really a thumb-spike). But equally important were the theoretical advances that led scientists to think of dinosaurs as more akin to modern birds than to modern reptiles. The illustrations for the most recent theories are some of the most exciting, adding colorful flesh, wattles, and feathers reminiscent of the variations in birds. Rubin's pencil, watercolor, and "digital collages" (from the copyright page: "The artist is not entirely sure what to call all this, but 'digital collage' sort of makes sense") portray the paleontologists and artists of each era alongside a rendition of the time period's signature dinosaur, with humorous asides from both species. A helpful text box accompanies the dinosaur portraits and includes a list of their key features, facilitating comparisons across the history of paleontology. Endnotes provide additional backstory as well as source illustrations from prominent historical and contemporary paleoartists.

Reviewer: Danielle J. Ford | Horn Book Magazine Issue: March, 2024

(3) 4-6 It’s fascinating to imagine: an underwater forest of cypress trees, which can grow up to eighty feet tall, submerged for tens of thousands of years, somewhere off the Alabama coast in the Gulf of Mexico, its exact location kept secret for preservation and protection due to the wood’s value. Swanson accompanied a group of scientists who were sanctioned to investigate and attempt to map the site. Her six accessible, engaging chapters touch on the researchers, their discoveries (shipworms!), setbacks (from murky water to COVID-19), technologies, and more. Useful sidebars, plentiful photographs, and QR codes to videos of the forest and scientists are included, as well as activities (e.g., “Grow Your Own Underwater Plants”), a reading list, and glossary, in the back matter.

Reviewer: Elissa Gershowitz

(1) K-3 Illustrated by Philip Bunting. Ben-Barak and Bunting have impressively produced a thought-provoking, scientifically precise, and accessible explanation of the origins of life and evolution across Earth's history for a young audience. Ideas about life, time, and heredity are conveyed through friendly illustrations and simple sentences (albeit with some sophisticated vocabulary). The book opens with questions that children may ask about their human families and histories: "What is life?" "How did I get it?" A deceptively modest reply, its last phrase repeated throughout the book, serves as an organizing concept as the origins of cellular organisms are explained: "Life Is the Way That Some Things Make More Things That Are a Lot Like Themselves but Sometimes a Little Bit Different." In the final pages, a gorgeous gatefold illustration invites readers to spot familiar plants and creatures (including a human) and trace their paths back to the first cell--a "very clever little bubble." If readers pause to let the statements sink in and look closely at the details in the finely crafted illustrations, they'll find clever subtleties that invite further contemplation about what makes "all of us."

Reviewer: Danielle J. Ford | Horn Book Magazine Issue: March, 2023

(2) K-3 Propelled by the wind, a dry, brown tumbleweed named Tumble travels across the desert, its journey depicted by a series of dotted lines reminiscent of the bouncing ball following words in a song. Short, direct sentences on each double-page spread describe the action: "Wind blows. / Tumble goes. / Fence stops. / Tumble hops." Full-bleed, bold-hued illustrations mirror the text and add native animals (such as a collared lizard) and plants (a mesquite tree) that appear along the way. "Tumble goes and goes and goes," until a cactus impedes its progress. There, the protagonist stays for several days. Rain falls; Tumble puts down roots, turns green, blooms, and dries out, carrying its seeds as the wind again blows it across the desert. An appended double-page spread identifies the plants and animals, asking youngsters to spot them in the text and subtly reinforcing that reading is an active process. The book concludes with additional facts about tumbleweeds; a diagram of a tumbleweed's life cycle may need adult clarification, since the narrative begins in the middle of the cycle. The book begs for a group read-aloud that allows youngsters to re-create Tumble's hopping, going, stopping, and staying.

Reviewer: Betty Carter | Horn Book Magazine Issue: September, 2023

(2) K-3 Illustrated by Amanda Hall. Berne's (On the Wings of Words, rev. 5/20) history of Earth's oceans and the evolution of marine life is presented as a poem in three parts: the formation of the oceans from Earth's early volcanic and atmospheric activity; the first emergence of life within the oceans; and the diversification of life in the seas to what we see today. The rhyming stanzas are impressive, filled with words and cadences that are entertaining to read aloud, and yet also precise in conveying scientific concepts about geological and biological processes. "So to the ocean came all kinds of life-- / fantastic, surprising, and new. / Step by step, bit by bit, they evolved in the sea. / And life grew, and life changed, and life grew." Hall's (Out of This World, rev. 3/19) mixed-media illustrations balance creative use of color and scientific accuracy: portraying the fiery black and orange landscapes of the young planet, the steamy grays and whites of the emerging ocean waters, and then the beautiful blues of the ocean across millions of years and down hundreds of meters. Extensive back matter includes notes from the author and illustrator on their research, detailed profiles of some of the species featured in the illustrations, additional resources and terminology, and a creative foldout timeline of Earth's history that is linked thematically to the concepts and illustrations in the book.

Reviewer: Danielle J. Ford | Horn Book Magazine Issue: March, 2023

(2) K-3 Illustrated by Marc Martin. "A stone is not just a stone," but instead a story, a record of dynamic processes occurring across large stretches of time. Booth's imaginative stories about one stone align with the major rock groups (not named in the main text, though the end pages and a glossary provide explanations) and employ dramatic descriptions of the events the stone experiences. The stone was "gushing from the mouth of a volcano," "crushed and dragged by a glacier," and "driven down / down / down / into deep searing darkness" before it reaches the hand of a child. The impressionistic watercolor illustrations are snapshots of places and times within these processes. Shadows of ancient flora and fauna, including birds, dinosaurs, and sea creatures, are framed by brown and black rock formations that convey solidity and timelessness, even within the dynamic volcanic, oceanic, and surficial landscapes. Readers are encouraged to seek out their own stones, "imagine everything the stone has been...and what it might become," and consider the continuity of change.

Reviewer: Danielle J. Ford | Horn Book Magazine Issue: November, 2023