(3) K-3 This picture-book biography tells the story of Mercedes Sosa, popular folklore Argentino singer and activist. Pérez-Prado uses accessible, lyrical prose and includes difficult details about Sosa’s life and the time period during which she performed, including her years of exile in Spain and a brief, age-appropriate history of los desaparecidos. Digital collage illustrations incorporate visual metaphors to emphasize Sosa’s culture, including her Indigenous roots. An afterword providing further historical context and bibliography are appended.

Reviewer:

(2) K-3 Illustrated by Jenn Ely. This picture-book biography introduces young readers to the conservation efforts of Hoyt, focusing mainly on her life after the death of her husband in 1918. Newly married in 1897, they had moved to Pasadena, California, where it was only a matter of time before she fell in love with the Mojave Desert. She was particularly interested in Joshua trees, which are not trees at all but rather the largest member of the yucca plant family. By 1933, the Joshua trees and their habitat were threatened by carelessness (people cut them down for wood), and Hoyt hatched a plan to designate the area as a national park, preserving this unique ecosystem. It was a hard sell, but she -- and the activists she inspired -- were ultimately successful. "No one who heard her talk could ever again regard the subject of conservation of desert flora with indifference," said a fellow environmentalist. Ely's cozy gouache illustrations (double-page spreads, single-page drawings, and spot art) depict both Hoyt's plucky spirit and the majesty of the high desert landscape. More information about Hoyt and Joshua Tree National Park, along with tips for environmental activists, photographs, an author's note, and a select bibliography, are appended.

Reviewer: Jonathan Hunt | Horn Book Magazine Issue: January, 2024

(1) K-3 Illustrated by Jeremy Holmes. As a product of the Age of Reason, Thomas Jefferson was long fascinated by science in general and the natural world in particular. Consequently, when he first read a French encyclopedia by the renowned scientist Comte de Buffon that declared the American colonies inferior because the native animals were neither as large nor as ferocious as their European counterparts, Jefferson questioned Buffon's reasoning -- partly because of the audacious comments, partly because of national pride, and partly because Jefferson did not want to discourage immigration. For years he challenged these assumptions by asking questions; creating counterarguments; conducting experiments (which included the shipping of a dead moose to France to verify its large size); and formulating and publishing his conclusions. In other words, he followed the scientific method, nicely summarized in the back matter. The mixed-media illustrations, crafted with woodblocks and pencil, are highlighted in unusual and effective layouts. The written narrative appears in text boxes, acting either as previews for the often-humorous illustrations (for example, ideas explode from Jefferson's head as he writes his own book challenging Buffon) or as comic panels. A concluding author's note explains the sources and dangers of misinformation and ways to identify and combat such rumors, as well as a timeline of Jefferson's life and a bibliography -- appropriately, for the topic -- divided into primary and secondary sources.

Reviewer: Betty Carter | Horn Book Magazine Issue: May, 2024

(1) K-3 Illustrated by Kara Kramer. Growing up in Budapest, young Erno Rubik (b. 1944) was fascinated by shapes and puzzles and loved "imagin[ing] all the possibilities" offered by manipulating "tangrams, pentominoes, and pentacubes." In this inviting picture-book biography, debut author Aradhya introduces readers to the figure behind the eponymous cube, first developed in 1974. Rubik became a teacher and continued to be passionate about cubes, which he used to teach students about three-dimensionality. His quest to "build a big cube out of smaller cubes that moved around each other and stayed connected" is the focus of the accessible text, which emphasizes curiosity, perseverance, and learning from failure as keys to success. (And sometimes the answer comes when we "stop thinking about" a problem.) Kramer's (Tell Me a Lion Story, rev. 7/22) intriguing mixed-media and digital-collage illustrations bring playfulness and energy to the fore; for example, Rubik's head is cube-shaped when he's focused on figuring out his geometric and mechanical conundrum. The lively page design includes a variety of panel, single-page, and spot-art illustrations; lots of child-friendly details in the art and text should hold readers' interest. Appended with more about Rubik's "Magic Cube" (including the fact that he didn't set out to create a puzzle, nor is he an expert solver), "By the Numbers" (e.g., "43 quintillion ways to scramble it...but only 1 solution!"), an author's note about her own Cubing experiences, and a three-book list for more about the inadvertent puzzle master.

Reviewer: Kitty Flynn | Horn Book Magazine Issue: July, 2024

(1) K-3 Illustrated by James E. Ransome. The prolific author-illustrator couple (most recently The Story of the Saxophone, rev. 1/23) teams up again to offer this inspiring picture-book biography of the late human rights and civil rights icon. Cline-Ransome's reverent narrative gracefully captures Lewis's (1940–2020) humility and perseverance. Growing up in a farming family in Alabama, young John learned about love from the Bible at an early age. He felt its presence everywhere he went -- except when he encountered the discriminatory realities of Jim Crow laws. "Election day meant Whites Only could pick the laws, mayors, and presidents. John hated that colored folks had to stick to picking cotton." Inspired by a radio sermon delivered by Martin Luther King Jr., Lewis left home at seventeen to attend the American Baptist Theological Seminary in Nashville. As he learned about practices of nonviolent resistance, his commitment to end segregation through nonviolent protest was unwavering. Beaten and arrested, yet undeterred, he led prolonged sit-ins; rode buses as a Freedom Rider; spoke at the March on Washington calling for jobs and freedom; and led the march at the Edmund Pettus Bridge in Selma, Alabama, that ended in state police violence. Ransome's distinctive illustrations, created with a combination of found, printed, and purchased paper with pencil drawings, perfectly match Cline-Ransome's telling and dramatically radiate the magnitude of Lewis's influence. An author's note, a timeline, sources for quotations, and a selected bibliography are appended.

Reviewer: Pauletta Brown Bracy | Horn Book Magazine Issue: January, 2024

(1) K-3 Illustrated by Chris Raschka. The very definition of music is explored in this thoughtful look at Cage's (1912–1992) controversial musical composition, 4'33", a work that debuted with a pianist "performing" four minutes and thirty-three seconds of silence in a barn in Woodstock, New York, in 1952. While there was no piano performance in the traditional sense, the absence of music amplified other sounds, such as whispers, coughs, chairs moving, and the noises of the outside world. Cage believed that "there is always something to hear inside the silence," and the book encourages readers to listen even when it feels like there is nothing to hear. It also emphasizes the art of doing nothing. Twice, the word nothing is scrawled in cursive on a double-page spread featuring just that word, giving readers space to pause and absorb the concept. Raschka's stunning illustrations further these heady concepts: staff lines, disembodied notes, accidentals, and oddly placed clefs visually capture Cage's spirit. Watercolor, pencil, and ink lend themselves well to the task of representing audiences, musicians, and experimental sound art, offering details at times and at other times just suggesting things through outlines and splotches of color. The book deftly pivots in time between Cage's childhood, the Woodstock performance, and his impact on music broadly. Extended back matter on Cage's life and work round out the book. Pair this introduction to the experimental musician with Rogers and Na's Beautiful Noise7 (rev. 11/23).

Reviewer: Julie Hakim Azzam | Horn Book Magazine Issue: March, 2024

(2) K-3 Illustrated by Alleanna Harris. August Wilson (1945–2005), the renowned African American playwright, was born with "a song inside him." He liked words and the way they had their own kind of music. Although learning was easy, attending school, where "nobody looked like him," was difficult. He was targeted by bullies, and when a teacher questioned whether an assigned paper was really his own work (because it was "so good"), he walked out, never to return. At the public library, he voraciously read history, science, poetry, novels, and Greek philosophy. "And he found shelves of books written by Black authors. He read them all." At the same time, he was learning from music and became captivated by blues singer Bessie Smith. "August had never heard the blues before, but it sounded like...well, it sounded like food he didn't know he was hungry for." When he began writing, he collected stories from enslavement and everyday situations in the lives of Black people and shaped them into plays. He "wrote those people alive," affirming the theme that "everybody carries a song inside them." Harris's emotionally resonant illustrations (sketches composed with digital ink pens and finished using digital gouache brushes) support Denmead's lyrical narrative and inspirational tone. An annotated bibliography of Wilson's Century Cycle of plays and an extensive author's note are appended.

Reviewer: Pauletta Brown Bracy | Horn Book Magazine Issue: July, 2024

(2) K-3 Illustrated by David Szalay. Hoyt (The Greatest Song of All: How Isaac Stern United the World to Save Carnegie Hall, rev. 7/22) returns to New York City's past to trace the history of what was touted as the "biggest, grandest, most magnificent railroad station ever built" -- Grand Central Station. The book opens in 1902, when chief engineer Wilgus had the radical idea to replace the city's smoky, sooty, street-level coal-powered trains with cleaner electric trains and move them underground -- a prodigious undertaking. Readers then learn about the contest between rival architects to design the new depot; details about the new Grand Central Terminal when it was completed in 1913 and as it grew (it soon housed restaurants, a movie theater, a tennis court, a hotel, a library, a ski slope, and more); and then its decline years later when it was slated for demolition and saved by Jacqueline Kennedy Onassis and others, who fought to have the iconic building designated a New York City Landmark. Hoyt's lively text is chockful of information, presented in a child-friendly way (for instance, readers learn that Wilgus's plan required thirty thousand tons of riveted steel, the equivalent of three Eiffel Towers). Szalay's textured, detail-fueled digital illustrations ably convey time and place. Extensive back matter includes even more information, "Fascinating Facts About Grand Central Station," a timeline, and source notes.

Reviewer: Martha V. Parravano | Horn Book Magazine Issue: January, 2024

(3) K-3 Illustrated by Madelyn Goodnight. A Native boy learns about the kinship between plants and humankind from his great-grandparents before his people's untouched lands are destroyed for urban development. He loses his “connection to spirit” as he grows older until a lone city flower inspires him to keep the voices of his human and plant relatives alive. Hummingbird's (Cahuilla/Apache) autobiographical account of his journey to becoming a Native plant expert/activist balances pathos and ethos, bolstered by Goodnight's (Chickasaw) gentle illustrations. Back matter includes plant conservation tips and further reading.

Reviewer: Summer Edward

(2) 4-6 Adapted by Ibram X. Kendi. Illustrated by Jazzmen Lee-Johnson. In 1860, more than fifty years after the United States outlawed the slave trade, the ship Clotilda journeyed back to Alabama from West Africa, carrying kidnapped people. Years later, Hurston, renowned anthropologist, writer, and folklorist, interviewed eighty-six-year-old Cudjo Lewis (born Oluale Kossula), who was purportedly the last survivor of the ship, at his home in Plateau, Alabama. Kendi (adapter of Hurston's Magnolia Flower, rev. 11/22, and The Making of Butterflies, rev. 5/23) has adapted the seminal work, first published in 2018, for young readers. He opens by providing thoroughly drawn context, characterizing the transatlantic human trade as the "most dramatic chapter in the story of human existence" and describing the horrific conditions under which enslaved people existed. In African American Vernacular English, or Ebonics ("I want tell-ee somebody who I is...I want you everywhere you go to tell everybody what Cudjo say"), the man shared memories of his family and community in his home village, the harrowing Middle Passage, his five-and-a-half years of enslavement, and his freedom following the Civil War during which he married, had children, and cofounded AfricaTown (later renamed Plateau). Throughout the story, his loneliness and longing to return to his native home are palpable, supplying readers with an intimate perspective on his strength to survive. Kendi illuminates these memories in a captivating narrative that exudes empathy and authenticity. Pencil and black ink drawings (unseen) accompany the text. Powerful, profound, and necessary.

Reviewer: Pauletta Brown Bracy | Horn Book Magazine Issue: January, 2024

(2) YA Adapted by Andrew J. Rostan. Illustrated by Celia Jacobs. Jiménez's iconic, award-winning memoir -- an episodic collection of short stories published in 1997 -- receives a handsome graphic novel adaptation. Francisco's family leaves their small town on the outskirts of Guadalajara for the promise of a better life in California. Making their way to Mexicali, they dig under the wire fence to cross the border, finding employment in the southern part of the San Joaquin Valley as migrant farm workers. An early memory has a five-year-old Francisco watching his infant brother while his parents and older brother pick cotton. It's a hard life: constantly moving and uprooting themselves to find work; substandard housing, education, and medical care; and the entire family making sacrifices, both physical and emotional. Here, as in the original source material, Jiménez's plainspoken narration resonates with dignity, humility, and timelessness. The mixed-media illustrations convey both the time period and the mood of the piece with a limited color palette of olive green, lavender, and vermillion on a sepia background. (Francisco is drawn here with black hair and brown skin, rather than the fair skin and blond hair described in the original source and in the family picture that accompanies the author's note.) A glossary is also appended.

Reviewer: Jonathan Hunt | Horn Book Magazine Issue: March, 2024

(2) K-3 Illustrated by Jerry Jordan. Johnson's compelling text tells the inspirational true story of a Black suffragist who fought injustice all her life. This biography of Wells begins with her birth in 1862, a year before the Emancipation Proclamation freed her parents. The Fifteenth Amendment nominally enfranchised Black men, but after Ida's father voted for the first time, his white boss fired him, which led him to open his own business, Wells's Carpentry. At sixteen, Ida lost her parents and younger brother to yellow fever, and she began teaching and pursuing an education to support her siblings. Wells refused to accept discriminatory laws or the racist treatment of Black citizens on public transportation and fought against the brutal practice of lynching. The last half of the book focuses on her suffrage work, including her founding of the Alpha Suffrage Club and participation in the 1913 march of the National American Woman Suffrage Association -- an association that fought exclusively for white women's suffrage. Wells and other women of the Delta Sigma Theta sorority, including Mary Church Terrell, participated to show that they, too, required the vote. Jordan's skillfully crafted oil on cloth illustrations effectively capture the historical era in which Wells lived and the determination she showed regardless of the challenge. The detailed back matter -- including an author's note, a timeline, photographs, and source notes -- offers readers ample resources for learning more about a person and history that all young people should know.

Reviewer: Michelle H. Martin | Horn Book Magazine Issue: January, 2024

(2) K-3 Young readers are introduced to the thirteenth-century poet, Islamic scholar, and Sufi mystic Rumi in this accessible picture-book biography that spans much of its subject's childhood and adult life. Rumi develops his love of birds at a young age, leading to his discovery of stories about the Smurgh, a large mythical bird composed of thirty smaller birds, which becomes important to his developing identity. As a young scholar, he befriends a mystic named Shams (sun in Arabic), who "was a sun, shining in Rumi's heart and mind." His jealous students run Shams off, and Rumi falls into a deep period of sadness. During this time, he turns to writing as a form of solace and a way to work through complicated emotions and personal loss. The book contextualizes some of Rumi's most well-known writing, the "Masnavi," inspired by his friendship with Shams (although it does not address what many now suspect: that the two were likely more than friends). Kheiriyeh's illustrations use bold colors and gold leaf, and incorporate Arabic and Farsi script, along with traditional geometric designs and shapes common in Islamic architecture. Flora and fauna are an important part of the illustrations: pages are adorned with flowers, pomegranates, and a variety of birds, including Rumi's beloved hoopoe. A gentle, visually engaging introduction to one of the world's most enduring poetic voices.

Reviewer: Julie Hakim Azzam | Horn Book Magazine Issue: May, 2024

(1) K-3 Illustrated by Ekua Holmes. Adapted from King's autobiography, this picture book offers a new generation the remarkable story of the activist, artist, wife, and mother whose grace in the face of unspeakable loss continued the momentum of a movement. Beginning with glimpses into her childhood in segregated Alabama, King (1927–2006) describes being the second Black student admitted to Antioch College (her older sister Edythe was the first) and her fight to teach in Ohio -- readers see that her pursuit of equality started long before she met and married Martin Luther King Jr. The first-person retelling of events such as the March on Washington is compellingly personal. Holmes's vibrant illustrations (in acrylic with elements of collage incorporating print and photos) saturate the pages with color. The illustrations also take great care in communicating the very human emotions that King and her family experienced in scenes including her surrounded by her young children at the piano; a phone receiver hanging from its cord at the news of MLK's death; and her speaking to a crowd despite her grief just hours after arriving in Memphis. Art and text bring this civil rights icon to life, reminding readers of a dream yet to be fully realized. Back matter includes a timeline of her life and major events.

Reviewer: Monique Harris | Horn Book Magazine Issue: January, 2024

(3) Illustrated by Sawyer Cloud. Little Mae loves science, but she also loves dance. “So she decided…to study them both!” Even as she becomes a doctor and then an astronaut, she never stops dancing; on the space shuttle Endeavour, she “danced through space and floated among the stars.” Paired with bright, welcoming illustrations that showcase Jemison’s joy, this lyrical biography of the first Black woman in space emphasizes Jemison’s determination and courage as she pursues both her passions.

Reviewer: Rachel L. Kerns

(2) 4-6 This introspective graphic memoir explores bicultural identity and the path toward self-acceptance. Like many students at her international school in Bangkok, Thailand, eleven-year-old Kathy is "luk khrueng," or "half child." Her father is American, and her mother is Thai, but Kathy identifies more as American and, though she appreciates Thai culture, she feels that she's not Thai enough. She looks forward to summers with her father's family in Maine, but this year she's acutely aware of how her family stands out there. She's also excited to spend three weeks away from her family at summer camp, but once there she struggles to fit in as campers ask rude questions about her heritage. ("Where is that?" "Do you mean Taiwan?") Kathy learns to embrace the unique qualities that connect her to both sides of her family and to her own mixed identity. Sprinkled throughout are elements of Thai culture and Thai language, depicted in Thai text with English translation, adding depth and cultural context. The pastel-toned panels, black-and-white flashback scenes, and cleanly drawn and expressively detailed characters complement the youthful, gentle tone of Kathy's internal dialogue. In an afterword, MacLeod shares her process making the book, comics she wrote as a child, and family photos.

Reviewer: Kristine Techavanich | Horn Book Magazine Issue: May, 2024

(3) K-3 Food Heroes series. Illustrated by Christy Hale. A market’s diverse offerings motivate Eva Sommaripa to explore gardening, growing unusual herbs and experimenting with new methods of composting. Her unique approach soon brings quality herbs and other plants to Boston-area restaurants, enhancing local cuisine and demonstrating how her work inspires communal pride and fulfillment. Collage and print illustrations alternate between double-page spreads of idyllic farmyards and vignettes of helpful garden inhabitants. Back matter includes an afterword by Sommaripa, information on women farmers in the United States, “Eva’s Recipe for Growing Pea Shoots,” glossary, and resource list.

Reviewer: Russell Perry

(1) K-3 Illustrated by April Harrison. Few people have had more of an impact on African American children's literature than griot, educator, and librarian Augusta Baker (1911–1998). Her path to becoming a master storyteller began in Baltimore with listening to her grandmother's folktales. A class on folklore in college further inspired her, and she became a children's librarian in Harlem. It became apparent that while most of the children in the library were Black, most books available to them had no Black characters, and the ones that did "were RUDE, MEAN, and JUST PLAIN WRONG." Baker created a book collection that showcased realistic and positive depictions of African Americans and shared her knowledge with other educators and librarians. Her work carried her to becoming the first Black coordinator of children's services for all of New York Public Library, hosting radio shows, teaching classes, and traveling the country as the "Mistress of Storytelling." McDaniel gives an account of Baker's life that is as celebratory as the heroes in her folktales, attesting that Baker internalized the message that "where there's a will, there's a way." Harrison's exuberant mixed-media-collage illustrations capture the vibrancy of both the storyteller and her stories, creating worlds and words that leap off pages. Back matter includes a timeline, citations, and an author's note, where McDaniel celebrates her own childhood librarian.

Reviewer: Eboni Njoku | Horn Book Magazine Issue: January, 2024

(1) 4-6 Illustrated by Jamiel Law. In this picture-book biography, Meadows's expressive free verse beautifully contributes to an engaging narrative about Baldwin's (1924–1987) literary prowess and staunch activism, making his story accessible to young readers. She traces the future author's childhood in Harlem and the solace he found in writing; his time as a young preacher; and his decision to leave preaching and pursue writing "to capture / the voice of his ancestors, stand up for oppressed people, / and push the world to change." Following a devastating rejection of his first attempt at a novel, Baldwin (who was Black and gay) moves to Paris to escape the discrimination so prevalent in America, falls in love with Swiss painter Lucien Happersberger, and finishes his novel Go Tell It on the Mountain. Meadows emphasizes Baldwin's persistence and also relates how he became active in the civil rights movement, lending his eloquent voice to the struggle, championing justice and equality for Black people back home. Law's digitally created illustrations in striking double-page spreads powerfully evoke the subject. An author's note, a list of Baldwin's oeuvre, a timeline, and selected sources are appended.

Reviewer: Pauletta Brown Bracy | Horn Book Magazine Issue: March, 2024

(2) K-3 Illustrated by Sarah Green. Sydney Taylor (1904–1978), born Sarah Brenner, was the author of the All-of-a-Kind Family novels, known as the first Jewish children's books to be popular with a mainstream audience. Here, Michelson (a recipient of Taylor's eponymous award for As Good as Anybody and The Language of Angels) tells a portion of her story in a lighthearted picture-book biography. Much of the book focuses on the Lower East Side childhood on which Taylor's novels were based; it also touches on her socialist activism, her work as a dancer, and her marriage to Ralph Taylor. An emphasis throughout on her interest in books and writing culminates in the "happily ever after ending" of her first book's publication. The third-person present-tense narration focuses tightly on Taylor's internal life and, along with occasional dialogue, lends an immediate feel; an appended note acknowledges that much of that dialogue is invented, "but the thoughts, if not the exact words, are all taken from Syd's writings or [her daughter] Jo's recollections." Green's cool-hued digital gouache illustrations alternate straightforward scenes and spreads filled with vignettes highlighting aspects of Taylor's life. This introduction, mostly cheerful in focus and tone, provides useful context for her novels (Cummins and Dunietz's adult biography From Sarah to Sydney, rev. 7/21, paints a more complete picture). Back matter gives brief additional information about Taylor and her husband and daughter as well as a bibliography.

Reviewer: Shoshana Flax | Horn Book Magazine Issue: March, 2024