As a digital subscriber, you’ll receive unlimited access to Horn Book web exclusives and extensive archives, as well as access to our highly searchable Guide/Reviews Database.
To access other site content, visit The Horn Book homepage.
To continue you need an active subscription to hbook.com.
Subscribe now to gain immediate access to everything hbook.com has to offer, as well as our highly searchable Guide/Reviews Database, which contains tens of thousands of short, critical reviews of books published in the United States for young people.
Thank you for registering. To have the latest stories delivered to your inbox, select as many free newsletters as you like below.
No thanks. Return to article
Change Is in the Air: The Hidden Discoveries of Eunice Newton Foote, the First Climate Scientist
40 pp.
| Holt |
February, 2026 |
TradeISBN 9781250828538$18.99
(2)
K-3
Illustrated by
Mercè López.
Eunice Newton Foote (1819–1888) is now considered to be “the first climate scientist.” As a student, Eunice attended Troy Female Seminary, a “rare school” where girls were taught science; she became both a scientist and a pioneering suffragist, defying gender expectations of the time. In 1848, Foote helped to prepare for publication the Declaration of Sentiments at the Seneca Falls Convention for women’s rights, which asserted “all men and women are created equal” (though, as the text points out, the sentiments were limited to white women). In 1856, a Scientific American article inspired her to perform experiments, and she successfully proved that carbon dioxide increased the atmosphere’s temperature. Later that year, her friend Joseph Henry read her paper at an American Association for the Advancement of Science meeting on her behalf (a woman presenter would have been “unusual”). Today, climate scientists agree that “carbon dioxide affects the temperature of the atmosphere,” and, as readers learn, “That earth-shaking discovery began in a small glass tube in Eunice Newton Foote’s home laboratory.” Donnelly clearly presents this great discovery -- and Foote’s suffragist activity -- along with the obstacles facing women in the nineteenth century. López’s attractive and atmospheric painterly illustrations use geometric lines to form boxes that enclose Foote to emphasize when such obstacles occur, while strokes of reds, pinks, greens, and purples emanate from her in moments of expressing her ideas. A timeline and further information complement the story.
Reviewer:
| Horn Book Magazine Issue:
January, 2026