(2) 1-3 Illustrated by Carmen Mok. Orris the rat lives a quiet, reclusive life nestled in the wall of an abandoned barn. He papers his hideaway with stories from discarded books, tends to his treasures (a slipper, a marble, a sardine can emblazoned with a jaunty, crown-wearing fish), and carefully avoids danger. When a young owl finds himself snagged in a mousetrap outside of Orris's door, the rat is faced with a moral dilemma: help the predator, risking that his favor may be repaid with violence, or ignore the owl's clear suffering from the safety of his own nest. This test of character sits at the center of an intimate, fully illustrated early chapter book. As the story is a clear variation on Aesop's "The Lion and the Mouse," the moral option may seem obvious, but DiCamillo's artful use of spare and telling detail along with Mok's attention to visual perspective in her atmospheric art give weight to the rat's decision. Orris's face-off with his admired sardine can's offbeat branding insisting that consumers "make the good and noble choice!!" adds levity. While Orris works to release the trap, a nimbly narrated conversation sets a tentative friendship in motion between Timble, an awkward, good-intentioned lover of stories, and Orris, a grumpy, lonely collector of tales. This is a tender, carefully drawn opening to a promising character-driven series.

Reviewer: Jessica Tackett MacDonald | Horn Book Magazine Issue: March, 2024

(2) 1-3 Illustrated by Doug Salati. The burrow- and tree-dwellers are enjoying a new sense of peace and unity since the events chronicled in The Remarkable Rescue at Milkweed Meadow (rev. 9/23), and our protagonist, rabbit Butternut, feels secure in her status as the community storyteller. Then a troupe of thespian turkeys rolls into the forest to stage a production, and everyone except Butternut is cast, which sends her into a crisis of confidence and a case of writer's block. Alongside this, Butternut's brother reveals her secret fledgling friendship with one of the humans in the nearby house to the rest of the creatures, and Butternut's status falls even further, leading her to make a false accusation and deceive her loved ones. This early chapter book continues the first installment's focus on the natural world and precise ("quartz peastone"), vivid ("pugnacious fighters") vocabulary that is challenging but digestible, thanks to strong foreshadowing, a tight plot, lovable characters, and Salati's enchanting illustrations. After Butternut's lies are exposed, she struggles to get her friends and family to listen to her when she discovers a mortal threat to them all. Learning how to both command and cede attention is a challenge to which many children can relate, and Dimopoulos's blend of anthropomorphism and respect for the natural world makes this a winning example to follow.

Reviewer: Adrienne L. Pettinelli | Horn Book Magazine Issue: July, 2024

(1) 1-3 Translated by Celyn Harding-Jones. When four animals discover an egg while playing in the forest one day, they decide to take turns caring for it. At Mouse's house, the egg begins to talk, and Mouse must figure out how to keep it warm. The next day, at Bear's house, the egg hatches, producing a yellow chick. Little Bird discovers what foods she likes while at Hare's house. And at Turtle's house, Little Bird learns how to use her imagination. With the knowledge she's gained from her new friends, an industrious Little Bird builds her own house. Though the others are at first surprised and worried for her, when they visit they discover that Little Bird, who now wishes to be called Clara, is quite an independent thinker, leading them to reconsider what their names could be ("Nico?" "Marcel?" "Lola?" "Winnie?"). Seven easily digestible sections, a picture-book trim size, and graphic novel like format (straightforward panels, dialogue balloons) make Dubuc's satisfying hybrid story a perfect match for both reading novices and slightly younger listeners. She gives each animal unique attributes (e.g., Bear is a creative builder and likes to exercise: "An active body for an active brain"), and her appealing pastel-toned ink, watercolor, and colored-pencil illustrations contain lots of recurring details that are entertaining to spot on repeat reads. Hand this to fans of Ruzzier's Fox + Chick series.

Reviewer: Cynthia K. Ritter | Horn Book Magazine Issue: May, 2024

(2) 1-3 Bat, Cat & Rat series. Illustrated by Mark Teague. These delightful, very brief stories entertainingly touch on the joys and complexities of friendship. In chapter one, Bat, Cat, and Rat move into a new house together. Each character is distinct: Cat is serious, Rat is mischievous, and Bat is clever. Cat takes the upstairs and pulls books from a suitcase. Rat gets the downstairs and unpacks a satchel of joke props. When Bat declares, "UNDER the stairs is THE BEST!" the friends all end up hanging out in Bat's snug closet. In the second chapter, Rat plays a joke, scaring Cat with a rubber spider. But Bat turns the tables and plays an even bigger joke on Rat. Using only a handful of basic words and repetition, Dyckman creates an inventive, warm text filled with humor. Teague magnifies that humor even further with his trademark cartoonlike drawings rendered in acrylics. The big, bold illustrations capture expressions of joy, anger, contentment, and camaraderie. Young readers will enjoy the stories and discover that a home with friends, even with its ups and downs, is a cozy place to be.

Reviewer: | Horn Book Magazine Issue: March, 2024

(2) 1-3 This comic for newly independent readers introduces Quin, the titular unlucky kid, in three short stories. In the first, Quin heads to the beach, where he bikes off a dune, is attacked by gulls, trips on a fence, and is hit by a rogue wave. Despite his penchant for plotting and creating detailed diagrams before taking action, this is how things go for Quin in the other stories as well: one in which he ropes his sister into a scheme to pull out his loose tooth (a dog, a cat, and a kite are involved) and another in which he goes fishing with his friend Jose (watch out for hornets). Holt draws his characters with exaggerated features -- huge heads, googly eyes, and prominent noses contrasted with sticklike arms and legs -- signaling and supporting the goofy tone. He controls the pace by varying the number and size of the panels on each page, guiding the narrative in and out of chaos. Quin's disaffected cat, Kitty, provides wry commentary throughout ("This kid is going to need a lot more protection than that"; "Great is not the word I would use"), adding to the humor. Quin's affable, can-do attitude in the face of his plans continually going sideways will win him fans.

Reviewer: Adrienne L. Pettinelli | Horn Book Magazine Issue: July, 2024

(2) 1-3 Monti the mole has a morning routine: go the bakery, stop at the library, and then rest on his favorite rock beside the river. One day, his routine is interrupted when he hears whispers about a stranger in town -- and then he finds the stranger on his rock. This beginning-reader comic is for children gaining confidence and fluency. It's told in five short chapters with twenty to thirty words per page; multisyllabic words like stranger, favorite, and talent are repeated throughout the text, giving opportunities to practice them. The stranger turns out to be Leo, a long-snouted green creature; and, of course, he and Monti become fast friends. Kantorovitz presents a fresh angle on friendship, though: Leo has been experiencing some suspicion and hostility since he arrived in town, and Monti makes it his goal to show everyone how amazing Leo is. The digital illustrations mix bold lines and pastel colors to pleasing effect, and Kantorovitz varies the number of panels on each page to control the pace, building small moments of drama and breakthroughs and leading up to a talent show Monti and Leo stage to bring the town together. This cozy book feels both familiar and surprising, and it will likely be embraced by young comics fans.

Reviewer: Adrienne L. Pettinelli | Horn Book Magazine Issue: March, 2024

(2) 1-3 Illustrated by Scott Nash. Best friends Bunny and Clyde learn that it can be hard to be bad in this early chapter book. The rabbit and chipmunk duo are tired of being good and decide to put their energy into being bad, but each of their misdeeds ends up aiding the intended victim in comically unintentional ways. In one instance, Bunny and Clyde toilet paper a neighbor's rose bushes, which, it turns out, protects the flowers from an unexpected frost. Never ones to give up, the two move on to more and more daring attempts at villainy, all of which lead to disappointment. McDonald's short chapters, simple sentences, and snappy dialogue are perfect for newly emerging readers looking to take their first steps beyond early readers. Nash's frequent full- and partial-page black-and-white illustrations (final art not seen) provide lots of breaks in the text and ably capture the hijinks of these two fundamentally goodhearted critters. Bunny and Clyde can't help but fail to live up to their infamous namesakes.

Reviewer: Eric Carpenter | Horn Book Magazine Issue: May, 2024

(1) K-3 In three illustrated stories translated from Japanese, Miyakoshi introduces readers to the delightfully mundane life of the titular Little Shrew, a rodent with a daily schedule, a steady paycheck, and a Rubik's Cube. Illustrated front-matter depicts close-up views of twee interior decor (push-pinned memorabilia, a tiny notebook with a shrew-sized pencil), drawing readers into the cozy world of the protagonist. The first chapter begins with Little Shrew's daily alarm clock and ends with his reasonable bedtime; straightforward, matter-of-fact language and soft, hazy illustrations paint a day in the shrew's life, one ordinary moment at a time. The following chapters, wherein Little Shrew makes a big purchase, discovers a new dream, and hosts guests for soup and singing, feature more story, but only very slightly; the one true moment of tension arrives when a page-turn reveals that -- spoiler alert -- Little Shrew solved his Rubik's Cube. Miyakoshi's heavily textured pencil, charcoal, and gouache art is atmospheric and full of eye-catching detail that provides a rich counterpoint to the spare text. Skillfully composed images capture the oddness of the tiny rodent's existence in a human-sized world, while frequent soft-edged, rounded vignette scenes feel intimate and dreamy. Little Shrew himself is fuzzy, measured, and prone to staring (somewhat unnervingly) at readers as they look back. Equally uncanny and endearing, this is a strange slice of an extraordinary and fascinating tiny life.

Reviewer: Jessica Tackett MacDonald | Horn Book Magazine Issue: July, 2024

(2) 1-3 Illustrated by A. N. Kang. Back for a third adventure (Starla Jean, rev. 3/21; Starla Jean Takes the Cake), our ­heroine and her chicken, Opal Egg, have a mystery to solve. Starla Jean (who now considers herself a "chicken-everything expert") summarizes key points from the ­previous titles as she shares her chicken knowledge along with topics of expertise found among her family and neighbors (e.g., "Mr. Marcos, whose house is near the park, is an expert gardener. His dog, Dean, is great at digging holes"). By chapter two, the plot moves forward as Starla Jean, with baby sister Willa in a wagon unsuccessfully tries to leash Opal Egg for a walk, but Opal Egg insists on walking untethered. The chicken leads them to a mystery when she unearths a yellow bead while looking for snails. As with her chicken-care tactics, Starla Jean's attempts to solve the mystery include a litany of tangents, wacky observations, and wrong turns, ­allowing both readers and Opal Egg to stay one step ahead. With each newly discovered clue, a neighbor joins the pursuit, and eventually this merry crew finds a rainbow of lost beads and their original owner too. Colorful spot art on every page adds information and comedy to the narrative and, along with Starla Jean's penchant for lists and repetition, helps keep the story accessible for new readers.

Reviewer: Julie Roach | Horn Book Magazine Issue: March, 2023

(1) 1-3 Illustrated by Mika Song. Henry, a boy on the autism spectrum (first introduced in the 2019 picture book A Friend for Henry, rev. 5/19), likes everything about school. Life in Classroom Ten is entirely predictable. Mrs. Tanaka posts the schedule for the week, and Henry can count on ­having Music on Wednesdays, Free Choice every Thursday, and Share Time on Fridays. So when Mrs. Tanaka announces that the class will hold a special parade on the upcoming Friday in place of Share Time, Henry responds with dismay. All week, Henry objects, but to no avail. On the big day, Henry hands his teacher his Quiet Card and enters the classroom closet to regroup. There, he encounters classmate Samuel, who is unhappy about the parade for a different reason. Henry finds a solution to Samuel's discomfort, a way to keep Friday as a time to share, and a comfortable place for himself in the parade. The ending of this short chapter book, heavily illustrated and with a format and content to appeal to new readers, is as satisfying as Bailey's understanding prose and Song's gentle, friendly illustrations. Henry is an extremely sympathetic hero--relatable and authentic. His open face expresses anxiety, calm, distress, or delight with just small changes to his eyebrows or mouth. Readers will recognize Henry as a child who succeeds in adjusting to what is, for him, an enormous challenge.

Reviewer: Maeve Visser Knoth | Horn Book Magazine Issue: March, 2023

(2) 1-3 Narwhal and Jelly Book series. Excited Narwhal can't decide which costume to wear for Halloween, while scared Jelly doesn't plan to participate. But when Jelly and their friends must "superfy" themselves to bravely rescue Narwhal from a "humongously hungry" sea monster (i.e., Narwhal in too many costume com[cf2boonations), that gives Narwhal the perfect costume idea for their Narwhalloween party...featuring waffles, of course. Humorous puns abound; the varied panel structure and dynamic character expressions in this graphic novel for transitional readers help build age-appropriate suspense. This entertaining eighth series entry includes three "story chapters" plus facts about potentially scary real-life creatures and a "Super Waffle, Strawberry Sidekick and the Bat Attack" comic interlude.

Reviewer: Cynthia K. Ritter | Horn Book Magazine Issue: September, 2023

(2) 1-3 Bear and Bird are the best of friends. In four stories, the pair navigates misunderstandings and hurt feelings, always managing to remember how much they value each other so they can turn a difficult situation into a happy one. In one story, Bear forgets to pack picnic supplies but can't admit it. He distracts his friend with "The Wobble Song" and an invitation to eat yummy leaves instead of picnic fare. Bird knows Bear forgot, but saves Bear's feelings by going along with the adjusted plan. In another chapter, Bird shows Bear how to paint en plein air. She is then crushed because local animals admire Bear's picture but not her own. Bird's jealousy shows up as anger, but this time Bear saves Bird's dignity by asking to hang Bird's painting on his wall. Jarvis skillfully writes about small adventures and emotional upheavals of childhood. With thick outlines, friendly curved shapes, and touches of humor, loose, cheerful digital illustrations on almost every page make the book approachable. Jarvis's short chapter book will be welcome for readers moving on from Cordell's Cornbread and Poppy but not quite ready for Barrows's Ivy and Bean series.

Reviewer: Maeve Visser Knoth | Horn Book Magazine Issue: May, 2023

(1) 1-3 In her third adventure, Marisol (Maybe Maybe Marisol Rainey, rev. 5/21, and sequel) helps her friend Felix learn to ride a bicycle, navigates her best friend Jada's jealousy that Marisol is spending so much time with Felix, and worries about a neighbor's scary-looking German shepherd, who has gone missing. (At bedtime, after learning that the dog has escaped, Marisol "wonders where he is. She wonders if he will be waiting for her in the morning with all his teeth.") Marisol is an anxious second grader, and her concerns are emotionally spot-on. The limited omniscient narration means that readers know what the protagonist is feeling and thinking while still viewing the world from outside of her head. The book design is approachable for young readers, featuring wide margins, plenty of white space, and an abundance of line drawings. Give this to fans of Dominguez's Stella Diaz Has Something to Say (rev. 5/18) or those ready to move on from Faruqi's Meet Yasmin!

Reviewer: Maeve Visser Knoth | Horn Book Magazine Issue: July, 2023

(2) 1-3 Illustrated by Blythe Russo. In spite of their differences, Drag, a relaxed, spontaneous dragon, and Rex, a more serious and somewhat stiff dinosaur, are the best of friends. When they make a snowbear together, Drag accidentally melts it by breathing fire a bit too close; but then Drag encourages Rex to recover from disappointment and skate on the ice that forms. Later, Rex, wearing a button-down shirt and a sweater with elbow patches, helps Drag, in his T-shirt and jeans, calm down enough to notice that the scary story he is reading can't actually be too scary, since it is about a dragon. The book is divided into three sections, and each section is further divided into three chapters. The stories have plenty of humor; in "Snow Day," readers may empathize with the friends' exhaustion when they finally conquer all the buttons, zippers, buckles, and laces involved in getting dressed to go outside -- and instead they take a nap. Russo's lighthearted cartoon-style illustrations on every page and the abundance of white space and attention to layout all work well together to make the book approachable for young chapter-book readers. Give this to fans of Cordell's Cornbread and Poppy (rev. 3/22) and Snyder's Charlie and Mouse (rev. 7/17) and their sequels.

Reviewer: Maeve Visser Knoth | Horn Book Magazine Issue: January, 2024

(2) 1-3 Plum, a "peppy little purple peacock" at the Athensville Zoo, is the only animal in his enclosure one rainy day when Scratch, a bossy, greedy raccoon, and his gang invade the zoo. The subsequent chaos disrupts what had been a bucolic home. Plum and his friends--including a domestic cat named Jeremy, a ningbing named Itch, a family of chipmunks, and a bear who lives in the nearby woods--work together to solve the problem. The comic sequel to Leave It to Plum!(rev. 9/22) is heavily illustrated with Phelan's movement-filled black-and-white drawings. Plum sports expressive curly feathers that stand at attention when he is happy but crumple when Scratch is demanding something. At important points in the story, wordless spreads convey the drama of the moment. As he did in the previous book, Phelan weaves ideas important to elementary-school students through the story. Plum accomplishes his goal by working with others; Scratch realizes that family can be made from those who care about you, even if they are not the same species; and all the zoo animals learn about leadership and problem-solving.

Reviewer: Maeve Visser Knoth | Horn Book Magazine Issue: November, 2023

(4) 1-3 Translated by Jennifer Croft . Illustrated by Marjana Prokhasko. This quiet book follows the first year of life for twin mole pups Purl and Crawly. Each chapter describes one of their adventures, including befriending a young beaver, rescuing a mole from the river, and sledding on the day of the first snow. While the text, translated from Ukrainian, can be stilted and meandering, the luminous colored pencil-style illustrations (featuring woodland creatures wearing adorable seasonal attire) add humor and liveliness to the young moles’ story.

Reviewer: Rachel L. Kerns

(2) K-3 Illustrated by Arthur Howard. This cozy transitional reader introduces a new character in prolific author Rylant's pantheon: Hornbeam, a moose who loves his friends, sleeping, and potato salad. Three short chapters tell everyday stories: Hornbeam attends a friend's family reunion, he sleeps over at another friend's house, and he learns how to swim. This is for new readers who have mastered phonics and are tiptoeing their way into independent reading. The book has a lot of repetition and only a handful of sentences per page, but there are also compound sentences, multisyllabic words, and phonetic challenges (Eureka, Gladys, spaghetti). Frequent collaborator Howard's loose lines, soft watercolors, and goofy details match Rylant's vibe. Hornbeam trying on swimsuits and caps, for instance, is sure to spark smiles, as will the detail that friend Adorabelle is a skunk who is into competitive swimming. The stories have the feeling of a happy, full life in progress. Hornbeam goes to the sleepover because his furnace breaks on a cold day, and when his snoring keeps his friend up all night, the friend uses the time to catch up on chores like scrubbing the floor. Another winner from a proven team.

Reviewer: Adrienne L. Pettinelli | Horn Book Magazine Issue: November, 2023

(2) 1-3 How can a single egg lead to a whole town in chaos? Stein's offbeat early graphic novel full of slapstick comedy explores just how much trouble an egg can cause. An uptight food inspector, a chef with something to hide, a fish, and an inventor and her friend (a human-sized chicken named Beaky) are the main players in this silly, pun-filled romp. When the fried egg falls out of the inspector's sandwich, it sets off an improbable series of events that ends with the chicken (in disguise) protecting her only egg from the inspector, who has lost all his clothes and is wearing a barrel. The plot twists and turns through a series of shenanigans, including regular commercial breaks for important messages from our sponsors about the inventor's latest inventions. Stein's recognizable illustration style (e.g., the Interrupting Chicken books) of sketchy pen drawings with watercolor adds even more humor to the goofy goings-on, giving the story the feel and comic beats of a Buster Keaton movie. Readers will find new gags to giggle at with repeat viewings and will look forward to future comic encounters with Beaky and friends.

Reviewer: Laura Koenig | Horn Book Magazine Issue: January, 2023

(2) 4-6 Translated by Julia Marshall. Illustrated by Anna-Clara Tidholm. At the start of this chapter book, three children ("Jack, Max and me, Ida") playing by a creek accidentally float away on an ice floe. The creek becomes a river, which then becomes sea; they wake surrounded by ice and decide to walk home -- but which way is home? After walking for two days, they reach land and find a dilapidated hut with cans of food, a stove, and warm animal skins. Here they spend the winter, but when spring arrives, a storm tears the hut apart. They use the wood to build a boat, then set sail, survive a terrifying storm at sea, and ultimately find their way back home. "You might not believe it's true, and we didn't believe it ourselves, not even while it was happening. But this is how it was..." Whether imagined or not, the survival tale is entirely engrossing and memorable in Ida's detailed, matter-of-fact, smoothly translated telling. The illustrations are equally successful at showing the children as small figures against vast icy backgrounds and close-up and cozy in their hut. A thrilling polar adventure for armchair travelers.

Reviewer: Jennifer M. Brabander | Horn Book Magazine Issue: March, 2024

(2) 1-3 This debut comic is a collection of six short stories about Reggie, a penguin who deals with such kid-centric trials as picture day, a babysitter who treats him like a baby, and getting a stomachache from eating too much raw cookie dough. A few "Word from the Bird" breaks give Reggie opportunities for direct address, encouraging readers to keep going. De Oliveira tells these stories with minimal dialogue and maximum use of all her tools as an illustrator: pacing of panels, expressive lines, selective use of closeups, and bright, cheerful color. The result is a comic that's easy to read but that also shows a keen attunement to kids' interests and thought processes. When Reggie's cousin insists on putting him on a leash before they go to the park ("It's my job to keep you safe"), Reggie acts like a dog (including trying to urinate on a fire hydrant). Eventually his cousin is so mortified, she lets him off the leash--at which point, he and his friends start pretending they're farm animals. The structure of the whole is well paced, too, alternating between stories and segments where Reggie breaks the fourth wall, keeping pages turning.

Reviewer: Adrienne L. Pettinelli | Horn Book Magazine Issue: July, 2023