(2) YA Sixteen-year-old Eleanor is obsessed with learning all she can about her birth father, tech mogul Hugo Harrison, who ended his relationship with her mother long before Eleanor can remember. When the opportunity presents itself, she takes a summer job under an assumed name as a nanny for his two-year-old son, Arlo, and in the process gets to know Hugo's young wife, Aurora. As Eleanor takes a front-row seat to a family she thought she knew all about from social media, readers may be less surprised than she is at how much isn't what it seems; however, it's easy to empathize with her wish to know her father and to believe the best of him. And Eleanor, who makes frequent, admiring reference to an early comic-book heroine named Miss Fury, becomes more heroic herself as she grows to question Hugo's ethics in developing his AI projects, including his treatment of both Aurora and Arlo. Her questions are likely to prompt readers' own about how to know what to believe, and about what makes AI (or anything else) go "from cool and interesting to creepy and disturbing."

Reviewer: Shoshana Flax | Horn Book Magazine Issue: March, 2025

(2) 4-6 Exuberant nine-year-old Gabby Torres volunteers to start a social media account for her ocean-conservation club, the Sea Musketeers, to prove her maturity to its older members. Though her parents are initially wary, they ultimately agree to let her run the account under their strict supervision and with limited access. Gabby is excited to learn about hashtags, promote the club's mission, and score new followers, but after she receives a rude comment from an anonymous account, she begins to view everyone -- from friends to family members to teachers -- as potential culprits. As her accusations intensify and her desire to identify the commenter drives her to break her parents' rules, Gabby finds that her desperation is alienating those around her and distracting her from her good intentions. Dominguez has created an instantly endearing protagonist in Gabby: though she still has growth to undergo, her zeal feels wholly natural in a preteen whose enthusiasm for a cause and desire for acceptance override her common sense. Gabby's close relationship with her Mexican American family provides an affectionate, grounding presence. While the story is not without its messages, it's also charmingly funny. Vignette illustrations and/or comics panels on every page depict Gabby's imaginative perception of the world (e.g., she assumes "Miss Information" is a woman who spreads fabrications online). Gabby's future exploits are sure to have followers -- though maybe not quite a billion.

Reviewer: Ed Spicer | Horn Book Magazine Issue: March, 2025

(2) 4-6 Illustrated by Brian Selznick. The student has become the teacher in this sequel to Frindle (rev. 11/96). Nick Allen is now Mr. N, a Hawaiian shirt wearing sixth-grade ELA teacher who makes his students bring a paperback copy of Strunk and White's The Elements of Style to class and doesn't allow the use of laptops, much to the chagrin of protagonist Josh Willett. Mr. N is the antithesis of computer-savvy coder Josh...or so Josh believes, until he stumbles upon Mr. N's secret past when, looking for a pen to complete an assignment, he finds his mother's childhood "frindle." While he and his friend Vanessa figure out what to do with the information in his "Frindle Files," Josh discovers there's a bigger issue to address: getting a pirated version of Elements removed from the internet. With help from his classmates and Mr. N and a rallying cry "for Wilbur!" (in honor of White's Charlotte's Web), Josh learns about the power of language to enact change and the potential ills of technology if used improperly. Rebellious, smart, persistent Josh is a classic Clements main character, and the parallels between this plot and the original are evident (student/teacher battle, learning from a reference book, national fame). In his straightforward storytelling, Clements pulls modern young readers in by connecting something they might relate to (coding philosophy) to the principles of good writing. This posthumously published novel brings Clements's impressive collection of middle-grade stories to a satisfying close. Black-and-white spot illustrations "drawn entirely with a frindle" are interspersed.

Reviewer: Cynthia K. Ritter | Horn Book Magazine Issue: November, 2024

(2) YA Sixteen-year-old Samira feels restricted by the watchful eyes of her tight-knit Sudanese American community, especially those of her protective mother. The community has labeled her a "bad girl" because of a false rumor that a boy started years ago. Now, while trying to sneak out to a party with friends, Samira is caught by her mom and grounded. Forbidden from leaving the house, she turns to an online poetry forum to stay connected. She begins chatting with an older poet, Horus, with whom she quickly finds herself falling in love. She begins to question him, though, when he pretends her poem is his. Through vivid free-verse poetry, text messages, and emails, Elhillo (Home Is Not a Country, rev. 7/21) creates a realistic picture of a teenage girl trying to push against unfair perceptions. She also highlights the fears of parents who are trying to raise children in a foreign country. In addition, the book offers a glimpse into the world of poetry and how young artists may be manipulated by older ones. Readers will appreciate the believable portrayal of a teen who is dealing with complex issues of family, friendship, and romantic love.

Reviewer: Nicholl Denice Montgomery | Horn Book Magazine Issue: March, 2024

(2) YA Twelve-year-old Becca hadn't planned on being dragged to a ranch in Montana for her summer vacation, and with wildlife warnings and a spotty internet connection, Far Away Ranch is a far cry from the resort spa she'd been promised. Hoping to salvage her summer, Becca befriends Jon, a boy her age whose father works on the ranch. With a notebook full of his great-grandmother's tales about legendary outlaw Pearlhandle Pete, Jon is determined to track down Pete's hidden bounty, rumored to be on nearby Mystic Mountain. Becca and Jon team up, along with two other kids staying at the ranch, to solve a generations-old mystery involving a treasure map, bank heists, ghosts, and family secrets. The stakes are raised when a smarmy social media influencer lets on that he plans to unearth Pete's fortune first, and by any means necessary. Becca and Jon embark on a thrilling, and sometimes haunting, journey that will change both their lives. They also open up to each other, Jon missing his late mother and great-grandmother and Becca worrying about her parents' separation and her middle-school friendship woes. With themes of family, grief, and loss, Fox has crafted a multifaceted mystery novel with even more to the story than clues and riddles.

Reviewer: Hill Saxton | Horn Book Magazine Issue: January, 2025

(2) YA Eighth grader Emily Laurence aspires to be a social media influencer, if only her mom would let her post pictures of herself on her YouHappy account. For now, she'll have to settle for producing the Cedarview Middle School podcast. Before she can gain internet fame, Emily has a lot to juggle in the real world. She and her mom have moved in with Mom's new boyfriend and his obnoxious eight-year-old son; and a new classmate, Amelie, adds an unwelcome dynamic to Emily's friendships. Emily channels her frustrations into producing a podcast story about an upcoming climate march, but the principal thinks the topic isn't appropriate for middle school students and cancels the episode. When a school visit from (fictional) social media influencer (and Emily's idol) Asha Jamil is rescheduled for the same day as the climate march, Emily can't keep quiet about her suspicions of censorship. She tries to emulate her namesake, Emily Post -- whom our protagonist sees as one of the world's first influencers -- to help her manage with tact and courtesy. With a relatable and thoughtful main character, the story offers timely reflections on social media, complicated friendships, climate activism, and what it really means to have influence.

Reviewer: | Horn Book Magazine Issue: May, 2024

(2) YA Boys at seventh grader Mani's school have been assaulting girls in the "grope-'n'-go" social media challenge, and school administrators dismiss the boys' behavior. Overwhelmed with emotion in reaction to the situation at school, Mani can barely speak; when she learns that her deceased aunt and her own mother were feminist activists in Guatemala, Mani wants to find the strong "quetzal voice" her abuelita encourages her to have. As events escalate, Mani and her friend group, Las Nerdas, unite for a presentation to shake up the school. While the complexity, pervasiveness, and intensity of these topics could make the story feel overwrought, Lapera's writing shines in the rendering of connection and levity with friends and family. There are laugh-out-loud moments, from the everyday to the bizarre (e.g., stealing a used tampon in a misguided but well-meaning attempt to support a friend). There is inspiration and hope in the steadfastness with which Las Nerdas organize a protest against the harassment and within the stirringly written passages both in old letters from Mani's tia and in the support found with other students at school. Amid the frankness about challenging topics, readers will also encounter warmth and a pervading sense of capability and inner strength in finding their own voices.

Reviewer: | Horn Book Magazine Issue: March, 2024

(2) YA Illustrated by Maine Diaz. Mallory Marsh wants to keep her friends and family happy, even if it means becoming a chameleon who constantly wears different faces to mirror those around her. The one place where she feels free to express herself is her web comic, a sci-fi story full of characters inspired by her life. The juggling act becomes increasingly precarious when Mal secretly attends comic club, where she meets Noa, a nonbinary kid who quickly becomes a friend and a crush she desperately wants to impress. Soon, the multiple lives and web of lies catch up to Mal. Her comic goes viral, with everyone at school on the verge of discovering who is behind it, and she must find the courage to show her true self. Leahy weaves a realistic and at times painfully resonant narrative about the cost of not asserting your own opinions and needs; the various threads of the story reinforce the theme of how the desire for validation and fear of rejection can lead people astray. The book also touches on the experience of questioning one's sexuality without making it the primary conflict, and still creates a largely queer-affirming space for the characters and readers.

Reviewer: | Horn Book Magazine Issue: March, 2025

(3) PS Illustrated by Leah Giles. This jaunty rhyme celebrates bellies big and little, round and flat. The verse's buoyant joy is echoed in Giles's bold collages with a cut-paper look. The book anticipates young listeners' responses with a double-page spread near the end featuring a tot exclaiming "AGAIN!" On the final spread, the entire verse is repeated as an encore. The text can be sung to a tune by YouTuber Mother Moon, accessible by scanning the QR code on the back cover. From the same team, ­Showing I Love You honors familial bonds. For more body positivity, look for My Body and Me: My First Body ­Positivity Book (Soaring Kite) by Ceece Kelley, illustrated by Betania Zacarias.

Reviewer: | Horn Book Magazine Issue: March, 2025

(2) YA Illustrated by Markia Jenai. In this graphic memoir, brilliant Jay Jay enjoys solving the puzzles and equations her incarcerated father, Antoine, sends her in handwritten letters -- though they take a long time to arrive. Jay Jay is elated when her father is released from prison, but the joy is short lived when she discovers the family will have to move from their beloved Buffalo, New York, to Florida. Life away from friends and extended family is rough, and Jay Jay is unsure how much she can trust her new classmates with information about her father. The adjustment to their new life brings new challenges for both Jay Jay and Antoine, but their shared love of mathematics allows them to find logical solutions to their relationship issues, and more. While in prison, Antoine earned a degree in computer programming; as he teaches her how to code, they work together to develop the Photo Patch app when Jay Jay is just twelve years old. The app will allow families to more easily communicate with their loved ones in prison. Now twenty, Patton recounts her journey with equal parts directness and humor. Panels vary in size and color to create movement, with some illustrations utilizing the entire page and breaking through margins. Interspersed boxes in a standout gold express the author's memories and thoughts. Back matter (some pages unseen) includes information regarding parents in the penal system and about Photo Patch.

Reviewer: Eboni Njoku | Horn Book Magazine Issue: November, 2024

(2) K-3 Alligator Bob (Chez Bob, rev. 9/21), proprietor of his bird friends' favorite restaurant, is blindsided when an energetic young alligator rolls into town with an exciting new business: Chez Ryan "delivers pizza while doing cool bike tricks!" Bob doesn't handle the competition well and falls into a funk fueled by sad music, snack food, and self-pity. With Chez Bob's shuttered, the birds flock to enjoy the convivial atmosphere at Ryan's, while Bob follows his jealous thoughts to a dark place: the "internest." Posting under various pseudonyms ("smartbirdwhoisnotbob," "trustworthybird226"), he relieves his anxiety by slandering Ryan and pizza -- and expressing those "very bad things made Bob feel very good." Lest readers think this is an endorsement of internet troll-dom, Shea's comical illustrations turn dark and shadowy as Bob wages his online smear campaign by the light of his laptop. Skilled use of color and perspective throughout effectively conveys mood and plays up the overall silliness. Ryan is understandably furious when Bob confesses, but Bob's heartfelt apology helps Ryan forgive him. In the "sappy ending" that the two chefs agree is "gross," they team up to run a new fusion restaurant serving birdseed pizza. This satisfying second course will be a crowd pleaser.

Reviewer: Kitty Flynn | Horn Book Magazine Issue: July, 2024

(2) 4-6 Phoenny, a thirteen-year-old Chinese American girl, is ecstatic to return to SCCWEE (Summertime Chinese Culture, Wellness, and Enrichment Experience) -- Camp Squee for short. It is sure to be another awesome summer with her best friends, the Squad. However, new (and initially unfriendly) campers arrive who aren't as familiar with Chinese language and culture as the Squad is; their extra numbers cause the friends to be split into different groups. Suddenly, Phee is unsure about the summer, even as she unpacks her sewing machine and shares handmade, eye-catching costumes with her friends. Nightly camper meetings lead to honest and transformative conversations about what it means to be Chinese; for example, some newcomers are adoptees living in white families with different perspectives on identity and culture. Then, internet trolls post nasty social media comments that threaten the camp, and Phee feels fragile and afraid. Wang's tightly woven plotting and lively dialogue paint a rich portrait of the ups and downs of middle school friendships, social awkwardness, and a desperate desire to belong. Add in a few crushes, lots of hilarious camp hijinks, and an ingenious solution to the troll problem, and you have an excellent companion to Kelly Yang's Front Desk series (Front Desk, rev. 7/18, and sequels) and Grace Lin's Pacy Lin series (The Year of the Dog, rev. 3/06, and sequels).

Reviewer: J. Elizabeth Mills | Horn Book Magazine Issue: May, 2024

(2) 4-6 In this cautionary tale, the sequel to Finally Seen (rev. 1/23), the perks and perils of social media play a pivotal -- and educational -- role. The Gaos still struggle with bills, and Lina's mom joins Instagram to sell more bath bombs. Fifth grader Lina gets her first smartphone, and while technology offers some positives (video-chatting with her Beijing grandma, promoting her neighbors' small businesses), they are outweighed by the negatives. She envies her classmates' fancy homes, worries about her physical appearance, and experiences cyberbullying (as both a target and a bully); and her best friend gets catfished by an adult. Everything converges when the school holds a "Dangers of Social Media" event and a "Justice Session" to discuss student online behavior. Yang integrates facts about how social media is addictive and detrimental to people's mental health into the story and back matter. She helpfully shows readers a way to cut through social media's downsides -- by having honest conversations "brainstorming how to break the dopamine loop. How to not be played by the algorithm."

Reviewer: Michelle Lee | Horn Book Magazine Issue: March, 2024

(2) 4-6 Sicily Jordan had been excited about starting sixth grade with her friend group, the "Tether Squad" (including coordinated "outfits for almost the entire first month"). A last-minute redistricting plan means she has to transfer to Shirley Chisholm Middle School--without her squad. She's devastated and worries about making friends with a whole new group of people. Her "It's My Culture" presentation for class results in ignorant questions about her heritage: how can she be Black and speak Spanish? Is her family really from Panama? Sicily's frustrations are compounded at home, where her beloved abuela has become increasingly vocal about her dislike of her granddaughter's braided hair, calling it "low-class and poor and ghetto." While other family members and friends provide some support and levity, it's an opportunity to write for the school's online magazine that gives the biggest boost. In searching for topics, Sicily also begins to research her culture--and discovers that her biggest advocate just might be herself. Issues of colorism, culture, and immigration are skillfully discussed, and Sicily's journal entries introduce the rich history of Black Panamanians.

Reviewer: Eboni Njoku | Horn Book Magazine Issue: March, 2023

(2) K-3 "After a cold, hard winter" (and "written in the time of Covid," per the dedication page), Graham tells and shows a story of children making a world with art. The setting initially appears unpromising: a brutalist, gray apartment building enlivened only by some lines of faded laundry. But then children spill out from the front door "like candies from a box." Amanda has a supply of sidewalk chalk, and the diverse group of kids proceeds to a basketball court and draws a giant garden complete with flowers, trees, snails, insects, aliens, and "The Queen of Swirls." Graham does a heart-lifting job of portraying the kind of creativity that flourishes without planning, goals, or adult input when children engage in parallel play--beside but not exactly "with" one another. A photo taken of the resulting work of art goes viral, and we see the worldwide ripple effect of this spontaneous event. What happens when it rains? Jackson, Lovejoy, Janet, the twins, Indira, Arthur, and the whole gang reappear, and new creative opportunities present themselves. In this joyous offering, Graham (most recently Jigsaw, rev. 9/22) cements his role as the master of the optimistic picture book.

Reviewer: Sarah Ellis | Horn Book Magazine Issue: November, 2023

(2) YA In this novel in verse, Lockington's (In the Key of Us, rev. 5/22) first book for young adults, sixteen-year-old Sadie has anxiety that means "when I panic, I stop being a girl / I become a thread unraveling / from some dark and blanketed expanse of time." When she witnesses a Black girl near her age being forcefully arrested by the police, the experience leaves her feeling unsafe and afraid to leave her house. With the help of her therapist, Sadie begins to find ways to cope with her anxiety and agoraphobia and shares her thoughts and poetry live on social media to create a sense of connection, and ultimately overcomes her fear. Lockington effectively mixes verse narration with social media posts to create an authentic teenage narrator. She thoughtfully explores mental health, sexuality (Sadie is bisexual), family, anti-Blackness, Black girl joy, and activism. Back matter includes an author's note, mental health resources focusing on Black and LGBTQIA+ communities, and a list of Sadie's favorite reads. Recommended for readers who appreciate books about Black teens' mental health, such as Parker's Who Put This Song On? (rev. 1/20) and Stone's Chaos Theory (rev. 1/23).

Reviewer: Nicholl Denice Montgomery | Horn Book Magazine Issue: July, 2023

(2) 4-6 After the death of Nan, the grandmother who had been her guardian, eleven-year-old Mo begins a series of letters to Nan in a notebook. She relates the difficulties of her next steps: an uncle is unwilling to care for her; a foster parent gives her up, overwhelmed in part by challenges including her stress-induced bed-wetting; another placement that looks like it might work out has its own obstacles. A family cookbook (stolen but later returned) makes Mo wish she had meaningful recipes of her own, and the cooking project the book inspires grows into a food website. She uses that platform to solicit other people's recipes--and to put the word out that she's in search of blood relatives. Mo, imperfections and all, is a winning heroine surrounded by flawed though mostly well-meaning adults, and her hopes, even those that are long shots, come from an understandable desperation for family and stability, which makes it easy to root for her. Secondary characters are fully realized, with personalities coming through in the interspersed recipes' directions and commentary. To be read with snacks at hand, and perhaps also some tissues.

Reviewer: Shoshana Flax | Horn Book Magazine Issue: March, 2023

(2) 4-6 Mia, the twelve-year-old protagonist of this accessible graphic novel, keeps to herself in school and is bullied over her autism. But she shines as Elle-Q, an alter ego known only to her friend Charlie, with whom she makes music videos that have gained an online following. Laura, who's among the class bullies at first, is a huge Elle-Q fan, and a friendship gradually develops between her and Mia over what's ostensibly just a shared fandom. (Though the girls take some time to figure this out, they both have secret online identities.) Pressure from Charlie to make the act more public than Mia feels ready for complicates matters and adds to her sense of being overwhelmed. Mia's increasing eagerness to be--and to advocate for--herself is encouraging, as is the casual diversity among the other characters (light-skinned Mia's classmates have a variety of skin tones; Charlie is dark-skinned and nonbinary). Varied page layouts in the digital illustrations hold interest, with panel boundaries especially breaking at moments of strong emotion--and when Mia feels free as Elle-Q.

Reviewer: Shoshana Flax | Horn Book Magazine Issue: September, 2022

(2) YA Seventeen-year-old Lark is sure that once they hit fifty thousand Twitter followers, an agent will pick up their novel, and they'll finally be able to prove they're "worthy of being loved." Lark--who lives in West Philly and is Black, nonbinary, polyamorous, and neurodivergent--takes summer writing classes with other Black, queer teens, including their ex-best friend Kasim. Lark and Kasim butt heads because Lark believes in unconditional love and forgiveness, while revolutionary Kasim would rather "burn down" everything wrong with society. But when Kasim accidentally posts about his own unrequited love from Lark's Twitter account, the thread goes viral, and Lark takes credit. As Lark lies for internet fame, they can't help but wonder: who is Kasim really in love with? And does Lark even love themself? The Twitter posts re-created throughout are sometimes hilarious, sometimes unsettlingly real, exploring internet callout culture and what it truly takes to grow from one's mistakes. The novel can be didactic at times, but the characters and their relationships are complex, engaging, and delightfully flawed. References to the COVID-19 pandemic are seamlessly interwoven into everyday life; frank discussions of topics like autism and ADHD in the Black community, and how to navigate polyamorous relationships, feel fresh and necessary in the YA sphere. A brief writing guide for aspiring teen authors is appended.

Reviewer: Bodie Shanis | Horn Book Magazine Issue: September, 2022

(2) 4-6 Two jelly bean–shaped creatures, one blue, one pink, delve into the intricacies and duplicity behind one of the most insidious and pervasive issues of our time, and the first chapter of this middle-grade comic dives right in: "What Is Fake News?" Gravel (Arlo & Pips, rev. 1/21) does a fine job breaking down complex ideas, beginning with the definition of news ("information about important stuff that's happening in the world right now") and explaining that while disinformation is not new ("Hear ye, hear ye! An evil magician turned the king into a goat!"), the internet and other modern technologies have made it much easier to make lies look real and to intentionally spread them. The hows and whys are explored using specific, goofy fictional case studies; and people's motives (e.g., "Reason 1: To make money... Reason 2: To make money and get famous," etc.) are plainly laid out. Though the examples aren't necessarily serious, the consequences are: "So far, I have given you a bunch of silly examples of fake news," says the pink protagonist, "but fake news is not funny at all. It can actually be very dangerous." The tone is non-blame-y of consumers (but not purveyors) of fake news, with acknowledgment of the ease of being duped ("Admit it--you'd be curious, too") and useful advice about thinking critically, examining sources, etc. Well-delineated panel illustrations featuring blobby critters and pastel colors make these thorny concepts relatively easy to get and should leave many readers feeling empowered.

Reviewer: Elissa Gershowitz | Horn Book Magazine Issue: September, 2022