(2) YA Sixteen-year-old Eleanor is obsessed with learning all she can about her birth father, tech mogul Hugo Harrison, who ended his relationship with her mother long before Eleanor can remember. When the opportunity presents itself, she takes a summer job under an assumed name as a nanny for his two-year-old son, Arlo, and in the process gets to know Hugo's young wife, Aurora. As Eleanor takes a front-row seat to a family she thought she knew all about from social media, readers may be less surprised than she is at how much isn't what it seems; however, it's easy to empathize with her wish to know her father and to believe the best of him. And Eleanor, who makes frequent, admiring reference to an early comic-book heroine named Miss Fury, becomes more heroic herself as she grows to question Hugo's ethics in developing his AI projects, including his treatment of both Aurora and Arlo. Her questions are likely to prompt readers' own about how to know what to believe, and about what makes AI (or anything else) go "from cool and interesting to creepy and disturbing."

Reviewer: Shoshana Flax | Horn Book Magazine Issue: March, 2025

(2) YA In imperial Mali in 1359, Aminata, a rich merchant's daughter originally betrothed to a noble she loves, loses everything after a false accusation leads to her disownment and the cancellation of her engagement. Now she must work as a servant to Princess Mariama, daughter of Emperor Suleyman, a ruthless man who forces the princess's suitors to undergo impossible Trials that result in their being boiled to death. The only thing keeping Amie afloat is a plan to elope with her beloved, Kader. However, she finds herself increasingly drawn to Mariama, a charismatic young woman who intends to end the Trials for good. When Amie embarks on a quest to steal a hammer from an exiled god -- both the key to ending the Trials and an opportunity to run away with Kader -- she is torn between her promise to her first love and her loyalty to the princess. Romance, court intrigue, and a classic fantasy adventure combine as Fears draws readers in with lush world-building and a flawed but sympathetic protagonist whose passion and resilience sustain her. This solid foundation becomes the springboard for a fast-paced quest arc full of perilous and thrilling encounters, testing Amie's courage and conviction at every turn. The ending feels a bit abrupt, but it sets the stage and builds anticipation for a potential sequel.

Reviewer: | Horn Book Magazine Issue: March, 2025

(2) 4-6 In this novel set during the Great Depression, protagonist Hurricane, like the eye of the storm that raged during her birth, has a quiet center. She is shy, hesitant, and often unable to speak up among classmates and strangers. With her father killed in WWI and her mother dead from tuberculosis, Hurricane lives in the family's remote coastal home with her beloved dog and her older sister, Bronte. But when Bronte also contracts tuberculosis and must go to a sanitarium, life changes. Hurricane's great-aunt Claire swoops in from the city and takes the girl to live with her and her kind, multi-talented chauffeur/cook/housekeeper, Mr. Keats. Having married into money, Aunt Claire adopted many highfalutin ways to appease her now-deceased husband and now wants to force Hurricane into the mold of "proper" young lady -- an image far removed from the girl's freer spirit. When Mr. Keats discovers a stray cat, he and Hurricane slowly coax it into trusting them, a clear metaphor for the protagonist's gradual acceptance of her new home, an acceptance not coincidently accompanied by the realization that she can speak for herself. Fusco takes her time developing the Depression-era setting and the backgrounds of each character, giving this heartwarming novel depth and authenticity.

Reviewer: Betty Carter | Horn Book Magazine Issue: March, 2025

(2) 4-6 Illustrated by Matt Schu. Salerni (The Carrefour Curse, rev. 3/23) creates a feisty puzzle mystery with a hearty dollop of humor in this intriguing novel. The Precipice Inn welcomes three elderly guests and their families, who have gathered to dissolve, by mutual agreement, the Carbon County Tontine, the contract awarding a vast fortune to the last survivor. Eleven-year-old orphan Nico Lombardi -- overworked bellhop of the Precipice Inn ever since his grandfather died there, saddling him with the tremendous debt of their stay -- needs money to escape his Dickensian servitude and has regretfully turned to a life of crime, pilfering valuables from hotel guests. Unfortunately, the lawyer holding the tontine hasn't yet arrived, and the other guests begin to reveal (to readers, if not to one another) varying degrees of deceit. Whose misdirected luggage contained a set of lock picks? Who has been sneaking around the inn at night? Why does feeble Mr. Ames seem sprightlier in private? The inept murder-minded antics of Mrs. Von Tropp's grandsons are just one example of the hilarious hijinks sprinkled throughout this farce, which registers surprise after surprise until, in a final sleight of hand, Salerni delivers a heartwarming ending that few will see coming. Humorous cartoonlike spot drawings illuminate the characters and inclinations of the inn residents. A well-constructed adventure sure to amuse and entertain readers.

Reviewer: Anita L. Burkam | Horn Book Magazine Issue: March, 2025

(1) YA In this verse novel with a basis in Caribbean folklore, fifteen-year-old Marisol and her mother, Lourdes, have recently emigrated from the Caribbean to Brooklyn. The two are soucouyant, shapeshifting "monsters" who shed their skin during the new moon to feed on the souls of their enemies. As a poor Black immigrant girl, Marisol finds that the world she inhabits sees her as monstrous in more ways than one. Seventeen-year-old Genevieve, by contrast, has lived in New York her whole life with her white father and stepmother (she has a Black biological mother). Although she enjoys privileges such as wealth, light skin, and U.S. citizenship, Genevieve feels trapped in her own body: enflamed rashes make her feel like her skin "will burn and melt / right off my fucking bones." The two girls' lives intersect when Lourdes is hired as a full-time nanny by Genevieve's stepmother for her newborn twins, and they come to realize that despite their very different upbringings, their worlds are more interconnected than they could have imagined. Expressive verse alternates between Marisol and Genevieve's perspectives, with judicious shifts in placement emphasizing connections between them. In a story that explores class, nationalism, colorism, colonialism, and ancestry, Zoboi skillfully captures the complexities of identity and belonging, offering a powerful narrative about two girls struggling to understand who they are and where they come from.

Reviewer: S. R. Toliver | Horn Book Magazine Issue: March, 2025

(2) 4-6 Ever since the plague three centuries ago, during which the Prince of Dantessa challenged Lady Death to a game of noctis for the lives of her people, inhabitants of the tiny magical island compete for wealth and standing by taking wagers in the Great Game, the magic system that oversees all games of chance. But when Pia's Gramps loses a final game and is banished, Pia will do whatever it takes to win the money it would take to recall him to play. Her opportunity comes when she is recruited by the Seafoxes into a tournament that carries a hefty prize. Their chief rival is the Krakens, captained by Renzo, once Pia's greatest childhood friend but now her enemy. Can the Seafoxes compete in an arena where the wealthy can afford magical boons that give them considerable advantages -- and can they find a way to break the Great Game so that wealth doesn't automatically equal winning? Befitting a society run by games, some of the magic is silly (one game involves dueling with swordfish; some boons involve being given zebra stripes or invulnerability while standing on one foot), but things become very serious when Lady Death herself appears in order to compete in the tournament. Inventive and unexpected, this creative fantasy will entertain readers while striking deeper notes of honor and teamwork in the face of peril.

Reviewer: Anita L. Burkam | Horn Book Magazine Issue: March, 2024

(2) K-3 Translated by Konstantine Matsoukas. Illustrated by Fotiniu Tikkou. This picture book invites readers to practice compassion by trying on others' shoes -- both literally and figuratively. On her walk home from school in her Paris suburb, Matou passes a mosque and sees "a sea of shoes" in front of the building (it is customary to take off your shoes before entering the prayer area of a mosque). A pair of pristine white sneakers stands out, and Matou can't help herself -- she tries them on. She continues trying on shoes, and when their owners claim their footwear, Matou notices that each pair reveals something about the person who wears it. The pristine sneakers' wearer forgoes walking home for a ride in a shiny car, suggesting wealth. A girl with worn, stretched-out ballet flats rubs her shoes together while waiting for her parents -- she's unhappy. Matou is miffed when her mother cancels a shopping date because she has to work late, but when she tries on Mom's shoes, she is able to see her perspective. The illustrations mix sepia-toned backgrounds with pops of color. Hand-drawn scenes in colored pencil are combined with photos, adding texture and variety to the illustrations. This endearing story about understanding others is an excellent read-aloud that is likely to spark activities, conversations, and possibly some exchanges of footwear.

Reviewer: Julie Hakim Azzam | Horn Book Magazine Issue: January, 2025

(2) YA After seventeen-year-old Small Sade ages out of her orphanage, her primary goal is to discover a home where she truly belongs. However, her physical appearance, marked by vitiligo and a maimed foot from a childhood accident that requires her to use a cane, sets her apart in a fantasy world that, like many societies, looks upon difference cruelly. But Sade possesses a unique gift -- the ability to perceive and cleanse malevolent spiritual energies. That gift leads her to unexpected encounters, including one with the enigmatic Crocodile God, who is afflicted by a seemingly unbreakable curse. Prophesied as his deliverer, Sade initially chooses her own path in Oluwan City, impressing the wealthy elite with her spiritual powers. However, her course pivots when she confronts the darker realities lurking beneath the surface of the city. Awakening to these realities and deepening ties with the Crocodile God, Sade realizes the imperative for social change not just for herself but for all who are marginalized and oppressed. This standalone novel, set within the same universe as Ifueko's Raybearer duology, offers a fresh narrative lens within that universe by prioritizing the perspectives of commoners over royalty. While familiar characters and settings are present, Sade's narrative enriches them, offering deeper insights into their complexities. First-person narrator Sade's distinct voice and her journey of discovery and transformation are likely to captivate readers.

Reviewer: S. R. Toliver | Horn Book Magazine Issue: September, 2024

(2) 4-6 Thirteen-year-old Charity Brown, youngest of four, is dealing with the lingering effects of polio and starting to question the beliefs and rules of her parents, who adhere to the precepts of a strict Christian sect. "We had to avoid places where the Devil might lurk, like cinemas, or those coffee bars with juke boxes that play wickedly sinful pop music." The family's plain, thrifty, and restrained domestic life changes drastically when the Browns come into an unexpected inheritance that includes a mansion and decide to set up a kind of hostel for the "weary and heavy-laden." Set in postwar London, this narrative touches on antisemitism, racism, and the oppression of women but folds these issues deftly into a child-centered story of a spirited girl who feels inadequate, longs for a friend, is embarrassed by her parents' behavior in public, and frets about how the idea of a loving God can be reconciled with the sorrows of the world. The tone here, warm and gently funny, matches the setting, as well-orchestrated scenes of family dinner disasters, a teenage brother with attitude, not having the right clothes, an adored auntie who is a bit "fast," and a short-lived crush could have been plucked from a mid-twentieth-century children's novel. A nuanced portrait of growing up outside the mainstream.

Reviewer: Sarah Ellis | Horn Book Magazine Issue: July, 2024

(1) 4-6 Eleven-and-a-half-year-old Delilah "Dally" Peteharrington's mother wants to prepare her to take over the family business. Every afternoon, she meets with tutors to learn "important business-ish things," but what she really wants is to go on adventures like the ones her grandfather took her on before he died. When her mother refuses to let her sign up for Adventure Club at school, Dally decides to take matters into her own hands. She sneaks into her grandfather's study to find the envelope he left for her -- which she is not supposed to open until she turns twenty-one. Inside is a map that leads Dally to a secret library; from there, she can go back in time. With each visit to the past, Dally learns more about the Peteharringtons and how they got their wealth. Magoon adeptly and naturally weaves issues of race, class, and gender into a creative fantasy adventure. Readers will enjoy time-traveling with Dally and learning her family secrets, and many will especially enjoy Dally's time as a pirate. A family tree shown near the end of the book helps make connections among the many characters.

Reviewer: Nicholl Denice Montgomery | Horn Book Magazine Issue: July, 2024

(2) YA In this novel set vaguely during the mid-twentieth century, new-money sisters Renata, almost twenty, and Isla, seventeen, have a reputation for making waves. To solidify a future for them, Abuela pulls strings to get them into the Alarie House, a mysterious finishing school that churns out untouchably sophisticated young ladies. Isla is certain her grandmother and sister also hope that the school will validate Isla's femininity: she is intersex (though the term is not used in the world of the book). Isla barely lasts a night in the strange house and returns home, but when Renata later comes back uncannily changed after graduation and flees into the night, Isla quickly returns to Alarie House, determined to find out what happened to her sister. What she discovers is more terrifying -- and nuanced -- than she could have imagined. In between somnambulant nightmares and surprising kisses with an aspiring lapidarist (a gem-cutter), Isla reflects on feminine ideals and her own identity. McLemore's heavy use of metaphor -- is everything jewel-like, or is everything a jewel? It's hard to tell -- creates an unusual tale that drips with twisted glamour. An author's note explains how McLemore relates to Isla's character through their own experience of gender identity and Latinidad and argues for larger discussions surrounding differences of sex development. Unsettling and packed with sparkly detail, this book is perfect for gothic-literature and period-piece fans who are eager for a much-needed update in representation.

Reviewer: | Horn Book Magazine Issue: July, 2024

(1) YA Miles Abernathy lives in a struggling West Virginia town in 2017. Power is monopolized by the Davieses, the family of the sheriff and the Abernathys' mortal enemies in a blood feud that began with the murder of Miles's great-great-grandfather, who dared to challenge the corrupt ruling class. Tired of the Davieses' ruthless pursuit of dominance and control, Miles tries to undermine the sheriff but is wholly unprepared for the chain of events one small act of defiance sets off. White (The Spirit Bares Its Teeth, rev. 11/23) crafts a high-stakes thriller that is atmospheric and suspenseful -- with a touch of the supernatural -- while also nuanced and incisive in its exploration of violence (at times extreme and graphically depicted) and its impact on individual and collective psyches. The story raises and addresses questions of power, agency, and complicity through an intimate first-person narrative of a teen who feels the injustice of the world on a deep and personal level and must decide how far he is willing to go to change his situation. Miles also experiences the trials and tribulations of coming out as trans in a small town, realizing that he is autistic, and questioning his romantic orientation. These elements are well integrated into the story and coincide with developments in the thriller plotline, making for a multilayered, engrossing read.

Reviewer: | Horn Book Magazine Issue: November, 2024

(2) YA Khadija is a brown-skinned sixteen-year-old girl living in the (fictional) realm of Ghadaea. Although her Ghadaean identity grants her a position in society's highest racial caste, her identity as a girl means she will never obtain the freedom she desires. When her father informs her that he has found a suitable husband for her, Khadija commandeers a hot-air balloon and floats away from her restrictive life. Her flight leads her to Jacob, a hri, or white member of Ghadaea's lowest social caste, who longs to escape his abusive glassmaking apprenticeship. Despite their gender, racial, and class differences, the two form an unlikely bond, as they both wish for freedom from oppression and have experienced the loss of family and friends. Khadija and Jacob's friendship is tested, however, when they find themselves caught between two revolutionary groups: the Wzeem, who believe that peaceful protest will result in equality for all; and the Hreef, who want the hri to rule at all costs. Told from ­Khadija's and Jacob's alternating points of view, Marufu's novel uses South Asian–inspired fantasy ­elements to tackle discussions of racism, misogyny, classism, and activism. An exciting and action-packed adventure perfect for fans of Blackman's Naughts and Crosses (rev. 7/05).

Reviewer: S. R. Toliver | Horn Book Magazine Issue: March, 2023

(1) YA At ten years old, Kavi has already experienced her share of trauma and heartbreak. Her father spent a decade at the front lines in the Sri Lankan civil war and returned to their rural home an amputee, only to die of a sudden heart attack. Kavi's mother remarries and becomes pregnant, leaving a still-grieving Kavi certain her mother no longer loves her. When she earns a scholarship to a prestigious school in the capital city, Colombo, Kavi jumps at the opportunity but soon feels ashamed of her poor, rural roots in a school full of wealthy city kids. The novel, set in the late 1990s, is a superb study of the Sri Lankan class system and the lengths to which someone might go to fit in. Convinced she will have to change to make friends with the rich, "cool" girls who have fancy new clothes, cars, and servants, Kavi pretends to be wealthy and creates a web of lies she soon gets caught in, ultimately revealing what really matters. A moving coming-of-age story written in verse about understanding and embracing who you truly are. The war acts as a highly charged political backdrop to Kavi's struggles to accept her family. Back matter provides context on the Sri Lankan civil war; in an author's note, Ponweera reflects on her own experiences growing up during the war.

Reviewer: Julie Hakim Azzam | Horn Book Magazine Issue: September, 2023

(2) YA This clever, gender-swapped retelling of My Fair Lady is set in an alternate version of 1830s England ruled by Queen Charlotte (who, a historical note explains, was King George IV's only heir but died before ascending the throne). Gender roles have taken steps, albeit small ones, toward being less restrictive than they actually were at that time, and the profession of Culinarian is reserved for women, with its practitioners revered. Culinarian-in- training Helena Higgins sets her sights on turning street-food vendor Elijah Little into a "gentleman chef" for her final project. Those familiar with the musical can almost imagine the rest, though some intentional plot deviations may keep them on their toes. The mostly jovial novel (full of nods to the source material; song lyrics serve as chapter titles) thoughtfully explores real-world issues: Elijah is hiding his Jewishness; Penelope Pickering, whose ancestry is partly from the Philippine Islands, is passing as white; and Helena's evolving attitude toward both adds depth to her snobbish character. This creative take on a classic musical (itself an adaptation of a play) could stand on its own, but for My Fair Lady fans it's especially delicious.

Reviewer: Shoshana Flax | Horn Book Magazine Issue: March, 2022

(2) YA Jay has lived for three years in Karloff Country, a Disney World–like resort in Virginia whose guests include the world's super-wealthy. It's billed as "The Funnest Place Around," and it is, since outside the walls in this near-future world the planet is devastated by poverty, hunger, wildfires, droughts, riots, and violence. The narration alternates among Jay and his friends Zeke and Connie, also Black and also Helpers at the amusement park; and Seychelle Karloff, biracial heiress to a multi-billion-dollar fortune. After an apocalyptic series of events, the friends come to realize that Karloff Country has been deliberately positioned as a refuge for the "prophets of finance and politics who saw society's collapse coming" and a "doomsday prison" for the Helpers, and they put themselves at risk by joining a rebellion. Giles skillfully places the four friends in the midst of a brutal upheaval with strong racial overtones, as Karloff Country, so meticulously perfect at the beginning of the novel, is dismantled and the world inside the walls begins to look like the devastated world outside. With elements of adventure, science fiction, horror, and even a bit of romance in a broken world, Giles keeps readers wondering who can and cannot be trusted throughout this page-turning novel.

Reviewer: Dean Schneider | Horn Book Magazine Issue: November, 2022

(2) 4-6 Wealthy Mrs. Sterling is determined that her son Maximilian grow up unspoiled, with friends who aren't interested only in his money. So she makes sure that (unbeknownst to him) his childhood companions are all whatnots, "robots that look and act so much like humans that no one can tell the difference." Maximilian's first school friend, Josie, however, seems different. She shortens his name to Max and invites him to jump in mud puddles with her. She also has a secret. Unlike the other whatnots who remain in charging stations at night, Josie is a real girl, from a poor family, who lives covertly at the school in a little bedroom behind her charging station door. At the end of fifth grade, when Max is due to be transitioned away from whatnots to real human friends, Josie doesn't want to be left behind. Her cryptic message to Max--"No matter what anyone tells you, I'm real"--kicks off an engaging mystery-adventure in which Max and Josie end up uncovering more than they'd bargained for about whatnots and the shadowy woman, Frances Miranda Gonzagaga, who invented them. Less a story about androids than one about children, friendship, and economic inequality, the narrative poses and solves a series of puzzles that leads to a Westing Game–style confrontation with Gonzagaga herself. And if the ending is a bit unrealistic, it fits in perfectly with the rest of this feel-good wish-fulfillment fantasy.

Reviewer: Anita L. Burkam | Horn Book Magazine Issue: May, 2022

(2) YA Aspen is an exclusive Catskills summer camp, ruled by elitism, segregated by gender, and rife with long-entrenched sexism and homophobia. Returning to Aspen after a traumatic exit years before is Mars, a genderfluid teen who believes the camp caused their twin sister's death. Alongside the pedestrian oppressiveness of this summer camp is something more alarming: memories vanish, as do people. With only one ally among the boys, Mars is drawn to the girls who tend the camp's beehives. But the girls (and bees) are as sinister as they are welcoming. They hide Aspen's gruesome secrets, and Mars will risk everything to uncover those secrets. This horror novel perfectly understands its genre, drawing out unease, disorientation, and grotesqueness through its language, the supernatural, and everyday evils. Mars is a strong lead, a character of fury and persistence. La Sala's prose is dripping and heady, unapologetically gothic enough to build tension and carry readers through the more surreal portions of the story. With laser focus, the narrative arrives at its conclusions through a delicious balance of restraint and clamor. La Sala strikes all his targets: navigating gender in hostile environments; grief; the monstrous gluttony of wealth; violence; young queer desire; and yes, very scary bees.

Reviewer: Anne St. John | Horn Book Magazine Issue: November, 2022

(2) YA This formidable prequel to We Were Liars (rev. 5/14), focusing on the wealthy Sinclair family a generation before that novel's events, opens with a harsh truth, and a spoiler. Johnny, one of the cousins of the first book's protagonist, appears as a ghost to his mother, narrator Carrie, on the family's private island. With the promise to tell him "the worst thing [she] ever did" as a framing device, Carrie flashes back to reveal many of the dark secrets and lies she had helped to perpetuate over the years. In 1987 on the island, seventeen-year-old Carrie is deeply saddened about the drowning death of her youngest sister (the first ghost to appear to her); recovering from the surgery on which her father has insisted to correct her jawline; and beginning a protracted dependence on painkillers and sedatives. Carrie is swept off her feet by Pfeff, a charming, impulsive cad who betrays her in what she feels is the worst possible way. The violent consequences entail a massive cover-up that requires full utilization of the Sinclairs' good standing, privilege, and cunning. The engrossing narration, full of fairy-tale references and family mottos ("Never complain, never explain"), is neither reliable nor neatly wrapped up, but the novel is uncomfortably thought-provoking. The story (understandable on its own but richer when read after We Were Liars) asks readers to consider hard questions and is impossible to put down.

Reviewer: Luann Toth | Horn Book Magazine Issue: May, 2022

(2) YA Chandler Academy is a posh Connecticut boarding school with a hallowed reputation, but with a thinly veiled culture of hazing, bullying, and homophobia and zero interest in changing long-established "traditions." The story, which mostly takes place in 1999, is revealed through the alternating narratives of five students--"townie" Beth, who is anxious about belonging; her outgoing former roommate Sarah; legacy student and budding actress Spence; Olympic hopeful Freddy; and Ramin, a newcomer from Iran, who is gay. The five protagonists are all accepted into the Circle, a selective, prestigious writing workshop. Through the Circle, the young people explore their personal truths, using the power of story to make sense of complicated emotions and forming deep bonds. When sexual misconduct by a revered teacher comes to light, it takes concerted action on the part of the Circle members to initiate change. Despite the inclusion of emotionally charged topics of physical and sexual abuse, Nazemian's novel is an uplifting and positive coming-of-age exploration of friendship, love, and creativiyy and how these things can help individuals heal and set themselves free to formulate their own legacies.

Reviewer: Luann Toth | Horn Book Magazine Issue: March, 2022