(2) 4-6 Sicily Jordan had been excited about starting sixth grade with her friend group, the "Tether Squad" (including coordinated "outfits for almost the entire first month"). A last-minute redistricting plan means she has to transfer to Shirley Chisholm Middle School--without her squad. She's devastated and worries about making friends with a whole new group of people. Her "It's My Culture" presentation for class results in ignorant questions about her heritage: how can she be Black and speak Spanish? Is her family really from Panama? Sicily's frustrations are compounded at home, where her beloved abuela has become increasingly vocal about her dislike of her granddaughter's braided hair, calling it "low-class and poor and ghetto." While other family members and friends provide some support and levity, it's an opportunity to write for the school's online magazine that gives the biggest boost. In searching for topics, Sicily also begins to research her culture--and discovers that her biggest advocate just might be herself. Issues of colorism, culture, and immigration are skillfully discussed, and Sicily's journal entries introduce the rich history of Black Panamanians.

Reviewer: Eboni Njoku | Horn Book Magazine Issue: March, 2023

(2) YA In this novel in verse, Lockington's (In the Key of Us, rev. 5/22) first book for young adults, sixteen-year-old Sadie has anxiety that means "when I panic, I stop being a girl / I become a thread unraveling / from some dark and blanketed expanse of time." When she witnesses a Black girl near her age being forcefully arrested by the police, the experience leaves her feeling unsafe and afraid to leave her house. With the help of her therapist, Sadie begins to find ways to cope with her anxiety and agoraphobia and shares her thoughts and poetry live on social media to create a sense of connection, and ultimately overcomes her fear. Lockington effectively mixes verse narration with social media posts to create an authentic teenage narrator. She thoughtfully explores mental health, sexuality (Sadie is bisexual), family, anti-Blackness, Black girl joy, and activism. Back matter includes an author's note, mental health resources focusing on Black and LGBTQIA+ communities, and a list of Sadie's favorite reads. Recommended for readers who appreciate books about Black teens' mental health, such as Parker's Who Put This Song On? (rev. 1/20) and Stone's Chaos Theory (rev. 1/23).

Reviewer: Nicholl Denice Montgomery | Horn Book Magazine Issue: July, 2023

(2) YA Seventeen-year-old Harriet Douglass and her father live on modern-day Westwood Plantation, a Louisiana sugar plantation where enslaved Africans once lived, which is now one of the few plantation museums run by Black people. Since her mother's death from cancer, Harriet runs tours with her historian father that keep the legacy of those who were captive on the land alive. But when new owners take over the plantation next door, Harriet is appalled to find out that they plan to turn it into a wedding venue. Even worse, her high school decides to host the prom there as well. Harriet campaigns via social media against the erasure and commodifying of the enslaved. Though burdened with grief over her mother's death and righteous anger for the people whose memories she keeps alive through the museum, Harriet is a full, well-rounded character and an often amusing narrator. Themes of community, grief, mental health, activism, allyship, and racism are explored in the pursuit of reconciling and healing a difficult history.

Reviewer: Monique Harris | Horn Book Magazine Issue: July, 2023

(2) 4-6 After the death of Nan, the grandmother who had been her guardian, eleven-year-old Mo begins a series of letters to Nan in a notebook. She relates the difficulties of her next steps: an uncle is unwilling to care for her; a foster parent gives her up, overwhelmed in part by challenges including her stress-induced bed-wetting; another placement that looks like it might work out has its own obstacles. A family cookbook (stolen but later returned) makes Mo wish she had meaningful recipes of her own, and the cooking project the book inspires grows into a food website. She uses that platform to solicit other people's recipes--and to put the word out that she's in search of blood relatives. Mo, imperfections and all, is a winning heroine surrounded by flawed though mostly well-meaning adults, and her hopes, even those that are long shots, come from an understandable desperation for family and stability, which makes it easy to root for her. Secondary characters are fully realized, with personalities coming through in the interspersed recipes' directions and commentary. To be read with snacks at hand, and perhaps also some tissues.

Reviewer: Shoshana Flax | Horn Book Magazine Issue: March, 2023

(2) 4-6 Jeremy's mom tasks him with inviting famous scientists to a symposium on her sea-bound research ship, which is testing out a tool for cleaning up the Great Pacific ­Garbage Patch. He mistakenly sends adult scientist Sidney Miller's invitation to twelve-year-old podcaster Sidney Miller, who needs to fill her summer with educational and interactive experiences so her parents don't haul her off to camp. Jeremy agrees to smuggle the younger Sidney (and her goldfish, Rachel Carson) onto the ship instead of admitting his mistake, and the two commit to keeping her presence a secret from the adults onboard. Gregarious Jeremy, who is more interested in sports than science, and introverted Sidney, who has become entranced with the concept of synchronicity, quickly go from mismatched odd couple to dedicated friends with a shared secret. They eventually get caught, of course, but not before their social media advocacy brings the media coverage Jeremy's mother needs to keep her project funded. Nuanced layers of story take the book beyond its initial quirkiness: Jeremy's reaction to his parents' divorce, Sidney's close relationship with her grandmother, the challenges of sustaining interest in long-term scientific work. The narrative's nonlinear structure, with sections alternating between Jeremy's and Sidney's points of view and flashbacks that develop the characters and reveal how they got to the ship, makes for an engaging read; and the nautical setting is richly developed.

Reviewer: Sarah Rettger | Horn Book Magazine Issue: July, 2022

(2) 4-6 Mia, the twelve-year-old protagonist of this accessible graphic novel, keeps to herself in school and is bullied over her autism. But she shines as Elle-Q, an alter ego known only to her friend Charlie, with whom she makes music videos that have gained an online following. Laura, who's among the class bullies at first, is a huge Elle-Q fan, and a friendship gradually develops between her and Mia over what's ostensibly just a shared fandom. (Though the girls take some time to figure this out, they both have secret online identities.) Pressure from Charlie to make the act more public than Mia feels ready for complicates matters and adds to her sense of being overwhelmed. Mia's increasing eagerness to be--and to advocate for--herself is encouraging, as is the casual diversity among the other characters (light-skinned Mia's classmates have a variety of skin tones; Charlie is dark-skinned and nonbinary). Varied page layouts in the digital illustrations hold interest, with panel boundaries especially breaking at moments of strong emotion--and when Mia feels free as Elle-Q.

Reviewer: Shoshana Flax | Horn Book Magazine Issue: September, 2022

(2) YA Without knowing the identity of the man who was her sperm donor, seventeen-year-old Harper feels that "half of her is a blank." Then she meets Dario, her half-brother, and learns that there are forty-two half-siblings...and that they've located the man himself. So Harper, Dario, and two other half-siblings travel to Hawaii to meet Beau Zane, where, to Harper's relief, Beau and his mother welcome them. Beau teaches them how to dive, his passion, which quickly becomes Harper's passion, too, and when their beloved diving spot is threatened, Harper and her new family feel compelled to try to preserve it. Caletti (One Great Lie, rev. 9/21) captures our collective anxieties (the story is set in the second year of the COVID-19 pandemic) as well as the constant intrusion of electronic devices, especially the numbing, manufactured perfection of social-media "squares." The natural world is offered as the antidote: when Harper sees a jellyfish on her first dive, she is "so there, so present in this profound moment, that if you reminded her again that she once felt empty, she'd hardly believe it." The summer is full of similar moments of wonder, in which Harper feels connected to Beau, her newfound siblings, history, and "every living thing"--including herself. A rich, contemplative story about looking beneath the (literal and figurative) surface to find love, purpose, and joy.

Reviewer: Rachel L. Kerns | Horn Book Magazine Issue: September, 2022

(2) YA Seventeen-year-old Lark is sure that once they hit fifty thousand Twitter followers, an agent will pick up their novel, and they'll finally be able to prove they're "worthy of being loved." Lark--who lives in West Philly and is Black, nonbinary, polyamorous, and neurodivergent--takes summer writing classes with other Black, queer teens, including their ex-best friend Kasim. Lark and Kasim butt heads because Lark believes in unconditional love and forgiveness, while revolutionary Kasim would rather "burn down" everything wrong with society. But when Kasim accidentally posts about his own unrequited love from Lark's Twitter account, the thread goes viral, and Lark takes credit. As Lark lies for internet fame, they can't help but wonder: who is Kasim really in love with? And does Lark even love themself? The Twitter posts re-created throughout are sometimes hilarious, sometimes unsettlingly real, exploring internet callout culture and what it truly takes to grow from one's mistakes. The novel can be didactic at times, but the characters and their relationships are complex, engaging, and delightfully flawed. References to the COVID-19 pandemic are seamlessly interwoven into everyday life; frank discussions of topics like autism and ADHD in the Black community, and how to navigate polyamorous relationships, feel fresh and necessary in the YA sphere. A brief writing guide for aspiring teen authors is appended.

Reviewer: Bodie Shanis | Horn Book Magazine Issue: September, 2022

(2) 4-6 Two jelly bean–shaped creatures, one blue, one pink, delve into the intricacies and duplicity behind one of the most insidious and pervasive issues of our time, and the first chapter of this middle-grade comic dives right in: "What Is Fake News?" Gravel (Arlo & Pips, rev. 1/21) does a fine job breaking down complex ideas, beginning with the definition of news ("information about important stuff that's happening in the world right now") and explaining that while disinformation is not new ("Hear ye, hear ye! An evil magician turned the king into a goat!"), the internet and other modern technologies have made it much easier to make lies look real and to intentionally spread them. The hows and whys are explored using specific, goofy fictional case studies; and people's motives (e.g., "Reason 1: To make money... Reason 2: To make money and get famous," etc.) are plainly laid out. Though the examples aren't necessarily serious, the consequences are: "So far, I have given you a bunch of silly examples of fake news," says the pink protagonist, "but fake news is not funny at all. It can actually be very dangerous." The tone is non-blame-y of consumers (but not purveyors) of fake news, with acknowledgment of the ease of being duped ("Admit it--you'd be curious, too") and useful advice about thinking critically, examining sources, etc. Well-delineated panel illustrations featuring blobby critters and pastel colors make these thorny concepts relatively easy to get and should leave many readers feeling empowered.

Reviewer: Elissa Gershowitz | Horn Book Magazine Issue: September, 2022

(2) YA When Mimi turns sixteen, her mother, Tiffany, delivers a family inheritance: notebooks filled with poetry penned by their female ancestors and a blank one in which to write her own. Mimi--a guarded loner whose DIY fashions made her internet famous--is skeptical of anything Tiffany has to offer. Their formerly tight relationship is now strained, with contention over Mimi's social media activity and Tiffany's sketchy boyfriend. After Tiffany publicly accuses a respected male celebrity of sexual misconduct, a ­bewildered and angry Mimi turns to her family's written history and uncovers a difficult legacy of women suffering under male expectations, harassment, and even assault. Mimi's raw, unstructured free-verse poems are intimately narrated, drawing readers close to her messy, competing emotions as she processes both Tiffany's revelation and her own unsettling experiences with men, online and in person. Poems from her ancestors' notebooks are told in a too-similar voice but are nonetheless riveting historical snapshots tracing a painful lineage of silence. When mother and daughter eventually stand up for each other, their moving reunification is encouraging. Among a growing selection of novels that approach #MeToo themes from a teen perspective (see also Charles's Muted, rev. 3/21, and Caletti's One Great Lie, rev. 9/21), this one stands out for its complex, thought-provoking depiction of intergenerational trauma.

Reviewer: Jessica Tackett MacDonald | Horn Book Magazine Issue: March, 2022

(2) 4-6 Twelve-year-old loner (and snarky, self-aware narrator) Hazel is accustomed to her role as casual confidante for classmate Tyler. But then popular Ella, Hazel's speech competition rival and Tyler's ex-girlfriend, tells Tyler falsely that she has a crush on Hazel to deflect his attention. Unlike Ella and unbeknownst to her, Hazel is gay, and the resulting mix-up when the supposed crush gets back to Hazel, though awkward and not without conflict, leads eventually to Ella and another friend welcoming Hazel into their group. It also leads to revelations involving Ella and other girls that make it clear why someone might want Tyler to leave her alone; i.e., his abusive social media comments, unwelcome physical contact. The novel is honest about sexual harassment and, as the girls try to counteract it, about victim- blaming--though, without giving too much away, the ending is a heartening one. Tyler's offenses stay within a realm likely comprehensible to most middle schoolers, and that's part of the book's point: harassment at any level should be taken seriously.

Reviewer: Shoshana Flax | Horn Book Magazine Issue: November, 2022

(2) YA Talented high-school photographer Kat Sanchez is bummed that her Instagram posts consistently flop: "Every single picture is serving a vibe and a color scheme and a mood, and they look good as a whole. That is hard work!" At the same time, she's not shocked: "No one's checking for the life of a fat seventeen-year-old Puerto Rican girl who lives in Bakersfield, California...and who kinda reeks of desperation." Though her circle of smart-alecky guy-friends is supportive and her grandparents (with whom she lives, one street over from her mom and dad; it's complicated) adore her, Kat's self-confidence is at an all-time low. To boost her portfolio, she's been directing shoots of her coworker Becca, and after one fateful, drunken high-school party night, Kat makes a terrible decision: she opens a new IG under a false name, using Becca's likeness. The account takes off, giving Kat her much-craved attention--including that of a cute girl who lives nearby--but internet fame comes at a price. Kat is an effective antihero whose insecurities and validation-seeking are believably laid bare without excusing her behavior (for example, she doesn't get her happily-ever-after with the cute girl). The characters feel lived in, and their big feelings and extreme reactions will be understandable for many readers.

Reviewer: Elissa Gershowitz

(1) YA In this at once funny and moving novel, it's been just over a year since seventeen-year-old Asher's mom died in a car accident, and "everyone says that I'm not handling it well." In addition to his withdrawn and distracted behavior, Asher is catfishing Grace, the teen daughter of the drunk driver responsible for the accident. He's agreed to take Grace to her prom, though he lives in New Jersey and she's in Memphis. He embarks on a road trip with acquaintances from his bereavement groups: teens Will and Sloane, grieving the losses of their brother and father, respectively, from cancer; and Henry, a delightful octogenarian who dotes on the box containing his wife's ashes. The others don't know the real reason Asher is on this trip: he has a (vague) plan to get revenge on Grace's father. Reilly doesn't hold back from depicting the all-encompassing nature of Asher's grief: his guilt, loneliness, and rage are raw and intense, bringing him to the brink of what his therapist calls "self-destruct sad." But with his new support system, "I'm one small step closer to somewhere better than where I've been." The intergenerational friendship with Henry adds to the humor; a philosophical connection with Will provides depth; and a blossoming romance with Sloane brings sweetness to Asher's difficult, deserved path toward healing.

Reviewer: Rachel L. Kerns | Horn Book Magazine Issue: January, 2023

(2) YA Waylon Brewer does not fit in at Clover City High School. He's fat; he's gay; and he loves drag, particularly a drag-competition TV show called Fiercest of Them All. But no one, not even his twin sister, Clementine, knows that he wants to actually perform in drag: that is, until his audition video for the show, starring "Miss Pumpkin Patch," is accidentally posted publicly on Facebook. It goes viral, naturally, earning Waylon immediate mockery at school and a nomination to prom court--as queen. Along with Clementine's girlfriend, a similarly gender-bending candidate for king, Waylon embraces the joke and campaigns to win the crown; it doesn't hurt that his cute classmate Tucker is a fellow nominee (for king). This third story set in Clover City, Texas, features a genuine and unbreakable sibling bond; a strong romantic connection; and a cast of well-developed supporting characters, including guest appearances from Willowdean (­Dumplin', rev. 11/15) and Callie and Millie (Puddin', rev. 5/18). Like those ­protagonists, Waylon learns to love who he is and refuses to settle for anyone who doesn't. Or as he tells Tucker: "I'm done being with people who are embarrassed by me...I'm too good to keep secret." It's easy to cheer for Waylon--who eventually triumphs both as himself and as Pumpkin--in this celebration of individuality and self-expression.

Reviewer: Rachel L. Smith | Horn Book Magazine Issue: July, 2021

(2) 4-6 What seems at first like a typical story of mean girls and middle-school bullying takes an unexpected turn with the plot device of an artificial intelligence program that turns out to be more than its creators expected. Roisin Doyle is having trouble with the move from Ireland to the Boston suburbs where her mother is working on an AI project. While the cultural differences and Mom's intense work schedule are aggravating, Roisin's biggest problem is classmate Zara, who harasses her both in person and online. After downloading a new app, "You-chat," Roisin connects with Haley, who becomes Roisin's first friend in the United States. But Haley seems to be encouraging Roisin to take revenge on Zara, and after an accident on a school field trip, Roisin discovers that Haley is not who--or what--she thought. Averbuch constructs a complex scenario that is both over-the-top and entirely plausible, giving readers enough clues about Haley that the book's twist is less a major surprise than a satisfying plot development. Roisin's blend of impulsivity and maturity allows her to believably get in over her head with Haley but also take charge at a crucial moment and prevent disaster. The book's balance of real-world emotional issues and only-a-little-futuristic technology delivers an engaging story that will appeal to fans of both sci-fi and contemporary fiction.

Reviewer: Sarah Rettger | Horn Book Magazine Issue: March, 2021

(2) YA Senior Liz Lighty has successfully stayed out of the spotlight and off of Campbell County High School's new social networking app, Campbell Confidential. Being poor and Black in affluent Campbell has made her feel like an outsider. But when she is denied a seat in Pennington College's orchestra and a music scholarship at the institution, she decides to run for prom queen for the scholarship money that comes with winning. With the help of her best friend, she plans to become prom queen material. What Liz doesn't expect is to fall in love with another contender for the crown and to reconnect with her former best guy friend. Teen readers will relate to Liz's journey of self-discovery and acceptance. Despite themes of poverty, racism, and homophobia, the book remains lighthearted. Liz's snarky first-person narration adds to the humor, and references to popular culture help create an authentic teen voice. Screenshots from a cellphone introduce each week of competition and underscore the power of social media in the lives of teens today.

Reviewer: Nicholl Denice Montgomery | Horn Book Magazine Issue: November, 2020

(3) YA After the CDC detains their flight from the Dominican Republic, strangers Flora and Oliver are quarantined together due to potentially contracting "tropical mono" (a feverish Flora impulsively kissed Oliver). During their thirty-day hospital stay, the #quaranteens contend with social-media fame and realize they're more than just roommates. Snappy alternating chapters and well-drawn protagonists keep the largely one-setting story from feeling monotonous.

Reviewer: Rachel L. Smith

(3) YA Aspiring artist Ivy has always been happy living in best friend Harold's shadow. But when Harold is away for the summer, Ivy delves into the intriguingly anonymous world of VEIL, an online forum for sharing art. Ivy's shyness and altruism are tested when real life and virtual ones collide in the wake of homophobic hate speech. Debut novelist Enni crafts an unusual story with a memorable protagonist.

Reviewer: Norah Piehl

(2) 4-6 Twelve-year-old CJ lives with her aunt Nic, a YouTube medium trying to break into reality TV. After discovering that a Hollywood producer seeks to unmask her aunt as a charlatan, CJ uncovers a major family secret (about her mother), which convinces her that Aunt Nic is a fraud. Graff's ruminations on life and death; faith and belief; truth, fiction, and lies appear throughout this page-turning story about one family's specific dysfunctions.

Reviewer: Elissa Gershowitz | Horn Book Magazine Issue: March, 2019

(3) YA Five years after their small Ohio town was devastated by a steel mill explosion, a group of teens united by loss and grief find something new to bond over when they witness strange lights in the sky and decide to investigate. The mystery's paranormal elements combine with narrator Franny's introspection to create a rich and rewarding page-turner fans of Stranger Things will devour.

Reviewer: Norah Piehl