(1) YA In this historical novel set in Czernowitz, Romania, thirteen-year-old Rieke and her beautiful, headstrong older sister, Astra, live with their depressive mother and religiously observant grandfather, Opa, a jeweler and business owner. As antisemitic fervor mounts, the family is seen by those in power as being part of "the Jewish problem." The girls are denied access to public school, Opa's business is vandalized, and their lives and livelihood are threatened. Things go from terrible to worse as the city is occupied first by the Soviets, then by the Germans a year later. The family is forced to leave their home, and Jews from around the city are rounded up into a ghetto with no heat, electricity, or water. Rieke's lingering cough is confirmed as tuberculosis, and she seems destined to perish until a friend of her estranged father steps in to provide financial support; horrifyingly, he rapes her in the process. The teen begins to heal, finds her voice, and strengthens her resolve, until her beloved grandfather's murder threatens to break her spirit. Arnold's (Red Hood, rev. 5/20) compelling and well-researched narrative is deeply personal, respectful, and redemptive; through story, she bears witness. Her depiction of Rieke's experiences allows readers to truly feel how the horrors of war give the character many reasons to hate as well as to discover her enormous capacity to love. Front and back matter establish a connection to Arnold's grandmother's memories from Romania and provide photos and a reading list.

Reviewer: Luann Toth | Horn Book Magazine Issue: November, 2023

(1) YA Lamb, shy protagonist and one of several narrators, tells of growing up in 1940s Jackson, Mississippi, with her brother, Simeon, and Marion, their tough-as-nails mother, a talented and outspoken seamstress and closeted lesbian. Lamb keeps quiet, works hard, and performs well in school. Headstrong Simeon, a brilliant student, aims to leave the South on a college scholarship and eventually earn a doctorate like his high school principal. Marny, a bookish, redheaded white girl, attempts to befriend Lamb, who finds the girl hard to refuse and meets with her secretly. Their relationship ultimately compromises the family's safety after Marny's older brother sexually assaults Lamb. When Lamb tells Simeon what happened, his retaliation sets off a series of brutal, life-changing events for the whole family. Cline-Ransome deftly creates unforgettable characters, each with a distinct voice, and exposes readers to the oppressive racism of the Jim Crow South. Tangentially connected to the Finding Langston trilogy (Finding Langston, rev. 9/18; Leaving Lymon, rev. 3/20; Being Clem, rev. 7/21), this standalone novel is a devastating page-turner that tells an all-too-realistic story.

Reviewer: Michelle H. Martin | Horn Book Magazine Issue: March, 2023

(2) YA Sixteen-year-old Ariana, self-diagnosed as selectively mute and autistic, is thrilled when popular Luis turns his attention toward her. But when he sexually assaults her and then brags about it to his friends ("It's not like she can say no"), Ariana is plagued with shame and self-doubt: "How can I blame him when I couldn't even bring myself to tell him to stop?" Enter the Luis Ortega Survival Club (TLOSC), a group of Luis's former friends and ex-flames, some of whom he also assaulted. They welcome Ariana with talk of revenge; soon genuine friendships bloom, and eventually something more between Ariana and bi member Shawni. Ari wants to expose Luis's crimes but doesn't know if she will ever be ready to make her rape public. Reyes (The Lesbiana's Guide to Catholic School) empathetically explores issues of consent and rape culture through a neurodiverse lens in this story of self-empowerment. Many readers will see themselves reflected in TLOSC's diverse membership and appreciate Ari's gradual understanding and ownership of her sexuality as she grows closer to Shawni and comes to realize that what happened with Luis was not her fault.

Reviewer: Jennifer Hubert Swan | Horn Book Magazine Issue: July, 2023

(1) YA Big changes are happening in Caprice's life. After an exciting, eventful summer spent at a wealthy private boarding school's leadership program, Caprice is offered a full scholarship to attend the following fall as an eighth grader. She knows this is an amazing opportunity and a chance for a fresh start, though she is unsure about leaving her friends and family in Newark behind. Unfortunately, there is unspoken trauma in Caprice's past. While living at her grandmother's home when she was much younger, Caprice was repeatedly sexually assaulted by her uncle, and she and her mother were eventually put out of the house and estranged from the family. While she has never spoken of the abuse, memories and feelings are now coming to the surface--especially as her grandmother is ill and the possibility of a reunion is imminent. Booth (Tyrell, rev. 1/07; Kinda like Brothers, rev. 11/14) expertly maneuvers through the sensitive subject matter honestly without being explicit. She also shows Caprice dealing with the usual growing pains of adolescence (including criticism from her friends about her appearance and seeming non-interest in boys). At once heartbreaking and triumphant, this book provides education, encouragement, and acknowledgment that healing is possible even when terrible things happen to us.

Reviewer: Monique Harris | Horn Book Magazine Issue: November, 2022

(1) YA Lou is preparing to spend the summer scooping ice cream at her uncles' seasonal shop, Michif Creamery, to save money for university in the fall. Unfortunately, things don't go as planned. She and her boyfriend break up (he's "all hormones-on-fire"; she realizes eventually that she's "ace or demi or something"), and they still have to work together. King, a former friend, returns from Toronto, and as their relationship deepens Lou is forced to face the fact that she had denied being Métis for most of the time they'd known each other. Additionally upsetting, she injures her shoulder in an altercation, a particular difficulty because she hopes to play water polo at school. The creamery is also under threats both mundane (a broken freezer) and more disturbing (intimidation from Lou's white biological father, a rapist recently released from prison). Lou must figure out how to save her university dreams and her uncles' business, as well as who she is as a Métis young woman. Although the book (a debut for Ferguson, who is also Michif/Métis and white) deals with major issues such as racism, rape, teen dating violence, and sexual harassment, it does not feel too heavy or overdramatized. Young adult readers can relate to the struggles Lou is facing as she navigates her transition from high school to college, and also use them as a conversation starter about race, identity, sexuality, dating, and friendship.

Reviewer: Nicholl Denice Montgomery | Horn Book Magazine Issue: May, 2022

(2) YA The morning after attending a fair run by (fictional) Faber College's fraternities, fifteen-year-old Nora wakes up on the golf course without any memory of how she got there. Her best friend, Camille, is by her side and explains that the night before, three guys removed Nora's underwear and hung it from a flagstick at the course before their classmate, Adam, chased them away. As Nora grapples with the implications of what ­happened--and what could have happened if Adam hadn't intervened--Cam and Adam decide to find out who the guys were. Their investigation leads to unsavory revelations about one of Faber's fraternities and about the college's charismatic, beloved athletic director--who is also Nora's dad. The victim-shaming that follows is depressing but familiar; the novel unflinchingly exposes the sexism inherent in excusing men's assaultive behavior while blaming women because of how they're dressed or how much they drank. More subtle but equally devastating is the fall from grace of Nora's father, "her favorite person in the world"; his refusal to accept responsibility adds a layer of trauma and makes it more difficult for Nora to speak out. Her eventual decision to formally accuse her attackers is a powerful one as she courageously reclaims her voice and her story: it's a small, satisfying step toward justice.

Reviewer: Rachel L. Smith | Horn Book Magazine Issue: May, 2022

(2) YA When Mimi turns sixteen, her mother, Tiffany, delivers a family inheritance: notebooks filled with poetry penned by their female ancestors and a blank one in which to write her own. Mimi--a guarded loner whose DIY fashions made her internet famous--is skeptical of anything Tiffany has to offer. Their formerly tight relationship is now strained, with contention over Mimi's social media activity and Tiffany's sketchy boyfriend. After Tiffany publicly accuses a respected male celebrity of sexual misconduct, a ­bewildered and angry Mimi turns to her family's written history and uncovers a difficult legacy of women suffering under male expectations, harassment, and even assault. Mimi's raw, unstructured free-verse poems are intimately narrated, drawing readers close to her messy, competing emotions as she processes both Tiffany's revelation and her own unsettling experiences with men, online and in person. Poems from her ancestors' notebooks are told in a too-similar voice but are nonetheless riveting historical snapshots tracing a painful lineage of silence. When mother and daughter eventually stand up for each other, their moving reunification is encouraging. Among a growing selection of novels that approach #MeToo themes from a teen perspective (see also Charles's Muted, rev. 3/21, and Caletti's One Great Lie, rev. 9/21), this one stands out for its complex, thought-provoking depiction of intergenerational trauma.

Reviewer: Jessica Tackett MacDonald | Horn Book Magazine Issue: March, 2022

(2) YA Chandler Academy is a posh Connecticut boarding school with a hallowed reputation, but with a thinly veiled culture of hazing, bullying, and homophobia and zero interest in changing long-established "traditions." The story, which mostly takes place in 1999, is revealed through the alternating narratives of five students--"townie" Beth, who is anxious about belonging; her outgoing former roommate Sarah; legacy student and budding actress Spence; Olympic hopeful Freddy; and Ramin, a newcomer from Iran, who is gay. The five protagonists are all accepted into the Circle, a selective, prestigious writing workshop. Through the Circle, the young people explore their personal truths, using the power of story to make sense of complicated emotions and forming deep bonds. When sexual misconduct by a revered teacher comes to light, it takes concerted action on the part of the Circle members to initiate change. Despite the inclusion of emotionally charged topics of physical and sexual abuse, Nazemian's novel is an uplifting and positive coming-of-age exploration of friendship, love, and creativiyy and how these things can help individuals heal and set themselves free to formulate their own legacies.

Reviewer: Luann Toth | Horn Book Magazine Issue: March, 2022

(2) YA This intriguing novel about pirate queen Clementine and her daughter Thea begins by toggling between "then" and "now"--in Clementine's girlhood, when she isn't allowed to explore her scientific potential because of her gender; with Thea jumping from a whaling ship to swim three miles to shore; with an argument about whether the volcano on Valonia will erupt, killing everyone on the island. As the narrative progresses, the reader is able to assemble the timeline--how the sexism that stifled Clementine's research and the pre-eruption tremor that killed her husband finally push Clementine to piracy just ahead of the cataclysm; how Thea is her reluctant accomplice until she runs away on a whaler with her crush Bauer; how Bauer rapes Thea, leading to her escape and the three-mile swim. Thea ends up in a ­settlement of Valonian survivors, including her childhood companion Wes, who's trying to turn himself into the settlement's doctor. A good portion of the narrative is Thea's survival story; another portion concerns her unfinished business with ­Clementine, where Thea will have to decide once and for all whether she belongs on the side of the law or of her mother. The quasi–New England setting, with its own geography, mythology, and economy, adds another puzzle for readers to determine how it departs from our own world. An adventure story with an exceptional amount of emotional growth, this original creation will keep readers surprised and engrossed.

Reviewer: Anita L. Burkam | Horn Book Magazine Issue: September, 2022

(2) YA This female-focused reimagining of The Outsiders abandons the testosterone-fueled rage and gang mentality of S. E. Hinton's classic coming-of-age novel and instead examines societal constraints on and violence toward young women, while exploring the bonds and power of girls' friendships. Mathieu (Afterward, rev. 11/16; Moxie, rev. 11/17) sets her story in 1964 Houston, where Evie, an economically disadvantaged fifteen-year-old, wears the label of "bad girl" as a badge of honor. When Evie is sexually assaulted by Preston, a drunken boy from affluent River Oaks, it is Diane, a "tea-sipper" extraordinaire who left River Oaks in disgrace, who comes to the rescue, inadvertently killing Preston while trying to protect Evie. Evie's "tuff" friends step up to shield Diane from "the fuzz"--until the brother of one of those friends, who has a romantic history with Diane, is arrested for the murder. Engaging dialogue and melodramatic plot twists keep pages turning as the girls' unlikely bond is solidified and the star-crossed lovers' sad story unfolds. This book holds its own as a standalone novel and offers lots of opportunities for discussion as a companion read to Hinton's.

Reviewer: Luann Toth | Horn Book Magazine Issue: November, 2021

(2) YA Illustrated by Maia Kobabe. When the frat boy who raped her sister, Nor, is found guilty in court, Em feels vindicated and amazed, for it was her drive for justice that first energized her family to prosecute him. Then the judge stuns her family by sentencing the convicted rapist to serve no time at all. Em is shattered, and so is Nor, who suffers the unbearable fallout of misogynist bullying when the case is over. As Em tries to process the egregious injustice, she learns about Marguerite de Bressieux, a legendary fifteenth-century knight celebrated as the avenger of rape survivors. Writing a verse novel about Marguerite and her revenge becomes both therapy and obsession until Em quite literally falls on a sword and has to be rescued. McCullough evokes the fiery rage and hopelessness her protagonist feels about America's justice system, and especially in realizing that "our world had already decided" that a boy like the one who raped her sister "could take what he wanted from a girl like Nor." Both in the first-person prose account and in the verse novel (with characterful, medieval manuscript–like decorations), McCullough sustains a one-note pitch of outrage up until the final pages, when, through Em's friend and family members, she offers some nuanced, constructive critique of Em's "tunnel vision."

Reviewer: Deirdre F. Baker | Horn Book Magazine Issue: March, 2021

(2) YA In this story that blends realism and fairy tale, McLemore (Blanca & Roja, rev. 11/18) introduces readers to a sweet, warm young woman making her way through trauma. Ciela is La Bruja de los Pasteles, the pastry witch, who through her "don," the gift inherited from her great-grandmother, "knows what kind of pan dulce you want before you do." After she is sexually assaulted at a party, a shard of mirrored glass enters her eye, and Ciela loses her don. She also becomes inextricably tied to a new boy in town, Lock, another survivor of the same night. Only through friendship, honesty, and courage does Ciela begin to uncover the truth of what really happened. Themes of violation and consent are present throughout; Ciela's trauma is conveyed through cutting imagery, with comforting (if sometimes repetitive) descriptions of confections providing narrative reprieve. This story, which centers Mexican and Mexican American traditions and lore, includes a diverse array of gender identities, expressions, and relationships. The author's note tells more about "The Snow Queen /La Reina de las Nieves" (the novel's source) and reveals the personal nature of Ciela's journey, with insight into the often-overlooked experiences of women of color, boys, and queer and trans survivors of sexual assault.

Reviewer: Gabi K. Huesca | Horn Book Magazine Issue: May, 2021

(1) YA After a consensual (and vividly described) sexual encounter with her boyfriend that, to her surprise, ends in her beginning to menstruate for the first time, sixteen-year-old Bisou is attacked by a wolf on her way home, and is able to kill it. The next day, she learns that a male classmate has been found naked and dead in the same area of the woods. It is revealed, partly through an extended flashback, that Bisou has inherited the role of "hunter" from her grandmother, that her menses will continue to arrive with the full moon, and that during that time wolves will attack girls or women and she will have the ability to kill those wolves. Arnold (author of the Printz Honor–winning original fairy tale Damsel, rev. 11/18) here spins "Little Red Riding Hood" as a story of rape and rape culture as well as of female strength and vengeance. Second-person narration with evocative description makes for a captivatingly immediate reading experience ("As his jaw snaps at you, so close you feel the skim of his teeth on your flesh, the slice of his claw at your breast, you find his neck, your fingers plunge deep into his lush fur and you lunge past him"). Occasional interspersed free-verse poems by Bisou and her murdered mother distill the emotions present in the narrative. A disturbing but ultimately empowering, and thoroughly immersive, feminist fairy tale.

Reviewer: Shoshana Flax | Horn Book Magazine Issue: May, 2020

(2) YA Captured and raped by a medieval Welsh warband, Elen has found a way to survive by convincing the band's leader, Owain ap Cadwgan, that her name saint has promised to keep him unharmed as long as he keeps Elen near him. A relatively well-treated prisoner and lover, Elen now feels trapped--by the lies she has spun; by the scorn she endures from Owain's band; and by traumatic memories of her family's demise by fire, murder, and sexual violence. When Owain abducts the wife and children of a neighboring lord, Elen sees in them a chance to be part of a real family again. The story is based on an account in a medieval Welsh chronicle. Its plot involves the ornate politics of small kingdoms and family allegiances, and the impositions and political weight of England's Norman king. Amidst all the masculine burning and pillaging, Elen's first-person, present-tense telling (a narrative choice that is not entirely successful) sheds a light on female survival and resistance. The blow-by-blow account of male bumptiousness and maneuvering threatens to overwhelm that of Elen's tremulous inner life, but that, perhaps, effectively conveys the depth of her isolation.

Reviewer: Deirdre F. Baker | Horn Book Magazine Issue: March, 2020

(2) YA Enchanted Jones wants to be a star, but her life is ordinary, until a real-life fantasy unfolds when superstar Korey Fields sees her sing at an audition. It seems her dreams of stardom are within reach, but the dream gradually turns into a nightmare, and one morning, she wakes up with blood on her hands next to Korey's dead body. Enchanted has to endure the character assassination (and victim blaming) that ensues with Korey's death. In another ripped-from-the-headlines novel, Jackson (Monday's Not Coming, rev. 7/18; Let Me Hear a Rhyme, rev. 7/19) takes readers through a heart-pounding thriller exploring physical, sexual, and emotional abuse, misogynoir, and rape culture. Enchanted's first-person narration shuttles between the past and the present, commanding readers' attention with its nonlinear structure. The story also taps into the adultification of Black girls, who are often seen as older than they are (see the book's title, Grown). In light of the #MeToo movement and of the many Black girls whose stories of abuse and assault are not told or not believed, this novel is sure to initiate important conversations while delivering an engrossing story.

Reviewer: Monique Harris | Horn Book Magazine Issue: September, 2020

(2) YA Claire lives in Shanghai with her wealthy, image-obsessed, and unhappy family. When Claire's parents send her to prep school in America, she boards with a fellow student (who's on scholarship), Filipina American teen Dani, and her single mother. Both Dani and her mom clean houses to support themselves; the intersection of the two girls' worlds results, often, in cultural and class-based dissonance, but they have much in common in terms of how the world treats them. After Dani's teacher and debate coach tries to seduce her, and Claire's boyfriend rapes her, the teens find solidarity in each other and, in so doing, rebuild their lives and their identities. Yang has created two distinct and vibrant voices full of passion for both justice and independence. The teens' experiences remain believable throughout, progressing from heartbreaking to empowering, without erasing their own faults. This convincing narrative, told in alternating first-person perspectives, confronts pervasive xenophobic stereotypes, with secondary characters' complex identities adding depth and emotion to the story. An author's note explains connections to real-life "parachutes" (wealthy Chinese students sent to schools in the United States) and to Yang's own experience with sexual assault.

Reviewer: J. Elizabeth Mills | Horn Book Magazine Issue: May, 2020

(1) YA Anderson's three-part autobiographical collection of dynamic, mostly free-verse poems serves as a potent postlude for Speak. The first third takes us from Anderson's difficult childhood to Speak's publication. Next is a series of impassioned poems about sexual assault, censorship, consent, etc. She concludes with a quiet set of reflective family poems. By turns angry, commanding, raw, and wistful, this is a praise song to survivors and a blistering rebuke to predators. Reading list.

Reviewer: Jennifer Hubert Swan | Horn Book Magazine Issue: March, 2019

(3) YA Keyser provides a broad but thorough introduction to the origins and implications of rape culture in America. She approaches this complex, controversial topic with authority and approachable language, using both academic and popular sources to build a case for dismantling systemic misogyny and violence. A first-rate resource for young researchers, activists, and news consumers alike. Reading list, websites. Bib., glos., ind.

Reviewer: Jessica Tackett MacDonald

(2) YA Jordan, helped by classmate Max, tries his hand at the food truck business to help his unstable mother make mortgage payments. Despite their differences, the two boys develop a friendship that quickly blossoms into a romance; they work together in the boiling summer heat of Mesa, Arizona, and date each other in the evenings. Konigsberg portrays gay teen relationships in a way that is consistently authentic, compassionate, hopeful, and empowering.

Reviewer: Jonathan Hunt | Horn Book Magazine Issue: May, 2019

(3) YA Twenty-one female YA authors offer personal essays about moments and life experiences that shaped their feminist worldview. The timely topics covered include the intersection of race and gender, sexual assault and rape, issues around weight and body image, and the experience of growing up a girl in an immigrant family. Engaging, emotional, and perfectly attuned to today's young women, this feminist collection promises to make an impact. Websites.

Reviewer: Kristy Pasquariello