(2) YA Illustrated by Kate Milner. Coelho, the U.K.'s current Children's Laureate, here interweaves two narratives -- one a riff on the classical story of Theseus; the other of Theo, a contemporary biracial teen seeking his Black father. They are "two boys searching a maze of manhood," as an introductory poem by "the Oracle" proclaims. In first-person, present-tense verse -- free verse as well as rondels, sestinas, pantoums, and other tightly structured poetic forms -- the story focuses on Theo's visceral desire to know the father who long ago abandoned him and his mother. At the same time, for coursework, he pursues the project of telling Theseus's story in a series of poems. Theseus's labors as he travels to meet his father become the structure by which Theo envisions and interprets progress and setbacks, liars and swindlers, in his own quest. He has his own take on the tricksters and monsters Theseus slaughters, offering compassionate, complex readings that explore and contest ideas of masculinity and the monstrous. Coelho's verse is expressive and arresting: his description of washing a contemporary Sciron's feet is enough to curl your toenails. His mingling of contemporary urban features with the fantastic grotesqueries of the classical story creates a surreality that suits adolescent passions. Milner's pen-and-ink illustrations throughout combine the statuesque, hieroglyphic, and superheroic in a parallel expression of the mythic nature of teen quests. An appended note gives background on the story of Theseus.

Reviewer: Deirdre F. Baker | Horn Book Magazine Issue: March, 2024

(2) YA Divine Traitors series. Seventeen-year-old Faron is the Childe Empyrean, blessed five years ago to wield the power of her island's gods. Now that San Irie's war against the colonizing Langlish and their dragons is won, Faron uses that ability to show off with classmates. Faron's sister, Elara, has no such blessings beyond the regular magic of islanders to summon ancestor spirits, but she wants to build a name for herself beyond her family's status, and to keep Faron, their country, and the island's young queen safe. When Elara unexpectedly discovers she's a "dragon Rider," the sisters and their friends are pulled deeper into machinations between the political powers and the gods. Cole's writing is vivid and rich; the depth and care placed in the world- and character-building make the novel a delight to read. The story, set years after war, feels rich and lived in. The characters have foibles, backstories, traumas, and nuances that make them as sympathetic as they can be frustrating, and their believable flaws directly fuel the narrative elements that lead toward peril. The romances the characters explore -- sapphic and demisexual -- hold charm and tension, helping to propel this magic-infused, Jamaican-inspired tale, and a cliffhanger ending with gripping plotlines yet unresolved will leave readers eager for the projected sequel.

Reviewer: | Horn Book Magazine Issue: March, 2024

(2) YA Seventeen-year-old Ariel Burns is struggling with constant, anxious "what-if" thoughts and dark, violent "crocodile in my mind" fantasies that have escalated to an obsessive degree. She resorts to extreme, repetitive actions such as walking in circles sixty-four times to keep those awful thoughts at bay. With her beloved older sister away at college, her parents emotionally distant, and her best friend gone for the summer, Ariel is having difficulty separating fantasy from reality and worries that she is a danger to others. The support of new friends and texts from her sister help her to begin to confront those concerns. Cole explores the parallel stories of Ariel's inner and outer realities through compelling free verse and illuminating juxtaposition of inner monologue and external events. Questions of gender identity are interwoven as Ariel wonders what it means to be a "girl" when you're 5'11" and wear a size twelve shoe. "I am too many things, all of them / too. / Too big / Too quiet / Too broad / Too off." This powerful novel in verse provides an intimate look at the patterns of obsessive-compulsive disorder and offers an opportunity to explore the ways our inner voices affect our behavior and self-concept. Mental health resources are appended.

Reviewer: | Horn Book Magazine Issue: May, 2024

(2) YA It's the summer before high school and Ashton's last year at performing arts camp. In addition to being stage manager for their camp's big performance, Ash is determined to make this a summer to remember. This includes finally asking their best friend, Ivy, out on a more-than-friends date. Things seem wrong from the beginning, though: the two are assigned to different cabins, and Ash is reluctant to form friendships with their new bunkmates. Meanwhile, Ivy's bond with the show's costar, Lucas, sparks a wave of jealousy. As Ash grows increasingly disappointed by their distance from Ivy, they start taking their frustration out on others. This graphic novel is rife with coming-of-age social drama, yet the tone is optimistic through all the protagonist's ups and downs. The campers are a diverse group of various races, genders, and sexual orientations; each camper has their own distinctive flair. Sketches from Ash's notebook appear throughout the story, depicting caricatures of themself and their friends as characters in the play. Ash saves the final performance by filling in as a last-minute Fairy Godmother, giving them the boost of confidence needed to share their secret feelings with Ivy.

Reviewer: Hill Saxton | Horn Book Magazine Issue: July, 2024

(2) YA Sixteen-year-old Samira feels restricted by the watchful eyes of her tight-knit Sudanese American community, especially those of her protective mother. The community has labeled her a "bad girl" because of a false rumor that a boy started years ago. Now, while trying to sneak out to a party with friends, Samira is caught by her mom and grounded. Forbidden from leaving the house, she turns to an online poetry forum to stay connected. She begins chatting with an older poet, Horus, with whom she quickly finds herself falling in love. She begins to question him, though, when he pretends her poem is his. Through vivid free-verse poetry, text messages, and emails, Elhillo (Home Is Not a Country, rev. 7/21) creates a realistic picture of a teenage girl trying to push against unfair perceptions. She also highlights the fears of parents who are trying to raise children in a foreign country. In addition, the book offers a glimpse into the world of poetry and how young artists may be manipulated by older ones. Readers will appreciate the believable portrayal of a teen who is dealing with complex issues of family, friendship, and romantic love.

Reviewer: Nicholl Denice Montgomery | Horn Book Magazine Issue: March, 2024

(2) YA Illustrated by ONeillJones. An enjoyable graphic novel about friendship, growing up, and all-things-engineering. Thirteen-year-old Mia is excited when her science-camp buddy, Tariq, transfers to her middle school. This turns quickly to anxiety when she discovers that her once-shy friend has blossomed into a cute, confident soccer star. Nevertheless, the two team up to compete in their school's Science Olympics (the plan: design and build an articulated snake-bot). Tension builds as the competition approaches and Mia's best friend, Addy, now hanging out with one of the mean girls, exerts pressure on Mia to act differently ("maybe you should try a little harder to fit in") and to ask Tariq to the school dance. As Mia's confidence wavers, her engineer grandmother reminds her that "some of the luckiest -- and smartest -- people never grow up" and that imagination and creativity can lead to innovation and problem-solving, especially when things don't go as planned. The cartooning is easy to scan, with establishing shots providing context for subsequent panels that use simplified, color-filled backgrounds. The quirky cast, including a sci-fi-loving dad, coupon-cutting scientist mom, and an ant-obsessed sibling, add humor and liveliness to Fantaskey's narrative, which is jam-packed with science references.

Reviewer: Elisa Gall | Horn Book Magazine Issue: May, 2024

(2) YA Lo Simpson, twelve, is no Margaret Simon: she'd just as soon never get her period, and to her a bra is just "a medieval torture device." But her best friend, Jazz, suddenly wants to go bra shopping and sneers at Lo's Doctor Who cosplay. In fairly short order, Jazz is sitting at the "It Girls' table," leaving Lo bereft, pouring out her sadness and confusion in letters to the Doctor that she never sends. As sensitively as Florence depicts the dissolution of Lo and Jazz's friendship, this is more than a middle-school friend-breakup story. Lo quickly (some would say conveniently) discovers a table of fellow nerds who get her Doctor Who references and give her a new community and new confidence. When, after an excruciating sex-ed session capped by a mass condom handout, some boys target the It Girls with condom-balloons, innuendo, and bra-snapping, Lo draws on lessons about consent from her lawyer mother and fights back -- just the first skirmish in her "revolution." The many references to Doctor Who risk confounding readers unfamiliar with the BBC classic, but Lo comes across as a genuine fan, and the Doctor is an important factor in her growth. Lo's metamorphosis from "friendless loser" to a "new, badass version of herself" is swift but rewarding; readers get enough of Lo's interiority to believe her journey. Breezy and bracing.

Reviewer: Vicky Smith | Horn Book Magazine Issue: July, 2024

(2) YA Alternating narrators Rosie, Caro, and Zeke find themselves transplanted to Jersey City, New Jersey, where each struggles to relate to the people around them. Sisters Rosie and Caro arrived with their mom from the Dominican Republic years earlier, escaping an abusive and absent father who has gone on to start a new family. After losing his mom, Zeke (who is of Jamaican and Panamanian descent) has moved to the area from Miami for a fresh start. Each teen battles their own anxieties through a series of misadventures that uncover hidden truths about themselves and their family histories. They are helped along the way by Rosie and Caro's aunt, whose spiritual practices explain the power of several magical objects that enter their lives: a pink jacket, two rings, and a baseball bat. Gomera-Tavarez offers a fast-paced plot with relatable characters who represent distinctive Afro-Latine experiences. Zeke also navigates his emerging queer identity, and the young women deal with gender-based pressures about appearance and sexuality, demonstrated through a strained relationship with their mother. While the story touches upon various types of trauma and abuse, it does so in a way that can help readers identify tactics for recognizing and processing pain and suffering, especially with the help of loved ones.

Reviewer: Nicholas A. Brown | Horn Book Magazine Issue: May, 2024

(2) YA In this novel in verse set in 1989, sixteen-year-old Helena lives in Leipzig, East Germany, during a period of oppression when citizens inform on their neighbors. But times are changing, and peaceful protests against the government are gaining momentum. Helena finds solace in music and begins to fall in love with a fellow piano student, but she's pressured to spy on him and reluctantly reveals his plans to escape. As weekly peace prayers at the Saint Nicholas Church turn into a massive march, Helena chooses to confront her betrayal and her fears, and act: "There comes a time / when every voice / must cry out, a time // when every person must lean / into their fear, spread their wings / and rise up. // That time / is now." Green conveys Helena's anxieties and hopes in equal measure in lyrical free-verse passages that flow together like a musical composition. She balances discussion of the political upheaval of the time just prior to the fall of the Berlin Wall with a sensitive exploration of Helena's personal struggles and emotional growth. An author's note with historical background, a glossary, and selected sources are appended.

Reviewer: | Horn Book Magazine Issue: May, 2024

(1) YA This spirited, intelligent mashup of Arthuriana puts Morgan Le Fay -- now Ancient Crone, cheerfully saggy-bosomed and thin-haired -- and her granddaughter, Young Hag, at the center of a fresh new story. At her ceremonial naming with her mother and grandmother, Young Hag learns from Ancient Crone that the ways between Faerie and the human world have been severed and that it is their task to return the broken sword Excalibur to Avalon to mend that rupture. As they traverse the wild countryside, Young Hag learns through Taliesin the bard and Ancient Crone just how King Arthur, Merlin, magic, and the land ended up in this predicament. When Ancient Crone disappears and Young Hag's recently met traveling companion, Tom, is magically ensnared, Young Hag is on her own, piecing together stories, "fragments, questions, faces, threads all gathering, and me at the heart" -- to bring all to a new beginning. Greenberg's drawing style is comic but has a skillfully naive, seemingly unpracticed quality that enhances the protagonist's poignant, youthful courage. Epic tragedy and grave betrayals are conveyed with a light touch, while Young Hag's arduous personal growth and development have a heartwarming gravitas. "It takes a whole life to come of age," says Ancient Crone -- robust words of wisdom for any reader. Greenberg's play with her sources -- medieval Arthuriana, Edmund Spenser's Britomart (here wonderfully queer and pink-haired), Christina Rosetti's "Goblin Market" -- has satisfying imaginative and critical depth.

Reviewer: Deirdre F. Baker | Horn Book Magazine Issue: July, 2024

(2) YA This sequel to A-Okay (rev. 11/21) finds Jay, who previously attended a magnet school across town, starting high school without any friends, a situation made worse by his inherent shyness and lack of confidence. Due to scheduling constraints, he's unable to register for his preferred art class. The counselor convinces him to give theater class a go: the public speaking aspect will satisfy his overbearing parents, and he will be able to indulge his creative impulses in set design. While the class pushes him out of his comfort zone, it also creates a safe space with supportive peers and a warm, if demanding, teacher. This graphic novel is told almost exclusively in dialogue with some brief internal monologue, creating an engaging pace that is further enhanced by varied panel layouts, bright colors, and generous use of white space. A relatable story about a shy, awkward kid coming out of his shell and finding his crowd, this is also a bit of a love letter to the community and camaraderie of youth theater. An author's note suggests the tale is semiautobiographical, while another interesting appendix delves into Greene's creative process for comics.

Reviewer: Jonathan Hunt | Horn Book Magazine Issue: March, 2024

(2) YA When Noah returns from summer camp to learn that her two best friends have each had their first kiss with a boy, she worries about being left behind in this new phase of development. Luckily, Jessa, her best friend from camp and a recent transplant to her town, fits right in with Noah's tight-knit friend trio, but even Jessa doesn't seem as lost as Noah when the conversation fixes on endless boy analysis. Noah develops a scientific plan to step up her boy game: choosing a target, telling her friends, spending time with said boy, flirting, "group hangs," and finally kissing. The selection of the target isn't difficult: Archie volunteers with Noah at the animal shelter; his family adopted her favorite pit bull rescue; and he seems nice, although nothing special. But is Jessa onto Noah's scheming? And is she...hurt by it? This enjoyable first-love tale features a charming small Canadian town under assault from a tasteless designer, the star of reality TV's Rural Refresh (who turns out to be Jessa's mom). Noah's big sister, Brighton, whose model relationship with her boyfriend shows Noah what a real partnership should feel like, offers her discretion "if there was ever anything you wanted to tell me." Readers, too, will be more clued in than the protagonist, who figures out her feelings for Jessa later than just about everyone else, but the ending is extra sweet for all that, allowing middle schoolers gay, straight, and questioning to enjoy this age-appropriate story without any of the heavy baggage that coming-out narratives can sometimes entail.

Reviewer: Anita L. Burkam | Horn Book Magazine Issue: July, 2024