(2) YA Gaddy introduces readers to four young family members of prominent abolitionists and the contributions they made in their own right. Lewis Douglass, son of Frederick Douglass, often helped those escaping enslavement (along with his siblings). George Garrison, son of William Lloyd Garrison, helped his father with his newspaper, the Liberator. Charlotte Forten was the granddaughter of a free Black man who gave Garrison (who was white) money to begin the Liberator and was the niece of Harriet and Margaretta Forten, who started the Philadelphia Female Anti-Slavery Society. Lucy McKim, daughter of Miller McKim, white president of the Pennsylvania Anti-Slavery Society, taught newly freed Black children in South Carolina (as did Charlotte) and later compiled the book Slave Songs of the United States. Lewis and George both fought with the Black regiments formed in Massachusetts. With focus alternating among the four, and occasionally overlapping, the book begins in 1854 and carries readers through the Civil War and its aftermath. Letters, newspaper articles, and journal entries add depth to this extensively researched narrative. The engaging and illuminating text, with some interspersed period artifacts and illustrations, sheds new light on the fight to end slavery in the United States, with an emphasis on the role of young people, which will likely be of special interest to its intended audience.

Reviewer: Nicholl Denice Montgomery | Horn Book Magazine Issue: July, 2025

(2) Illustrated by Vesper Stamper. This picture-book biography tells the story of Cahan (1860–1951), cofounder and later editor of the Forverts, the Yiddish newspaper known in English as The Jewish Daily Forward. Finkelstein's clear text traces Cahan's journey from the Pale of Settlement -- he fled after being questioned by czarist police over his support of workers -- to New York, as well as his experiences as a new immigrant before the paper's founding. The book's depiction of Cahan's work on the paper emphasizes his understanding of and advocacy for the needs of other Jews, immigrants, and workers. Stamper's bustling street scenes, classrooms, and newspaper offices include plenty of instances of print to pore over in multiple languages (Cahan "loved words" in English, Russian, Hebrew, and Yiddish). Back matter includes more information on Cahan and on Yiddish, an author's note, a timeline, a bibliography, and suggested further reading.

Reviewer: Shoshana Flax | Horn Book Magazine Issue: January, 2024

(2) K-3 Our hardworking protagonist, the newsboy, wears many hats. Though his primary job is "to bring to the town of Bad Goodsburg their daily news," he also acts as chimney sweep, shoe shiner, and milk deliverer. "He was assured by the townspeople that this was a fair arrangement." One day breaking news brings an upsetting update: the local wishing well is on the fritz, leaving the town's doctor, shopkeeper, and baker's purportedly altruistic wishes (health, happiness, and sustenance for all) ungranted. They call on the newsboy to investigate, and he discovers several unexpected, and humorous, truths. With three brief sections, the narrative is well paced and easy to follow. Digital illustrations in a limited palette have the look of chunky, weighty woodcuts combined with simple-shaped children's drawings; faces are round or oblong, noses are red circles, and eyebrows look like smiles or frowns. There are unique perspective shifts, too, such as the newsboy looking into the well -- and the spider gazing back up from inside. In the end, the three mendacious wishers are brought to "justice...sort of," and a twist conclusion sees the put-upon protagonist seizing his opportunity -- and then some, thanks to a little blackmail and extortion.

Reviewer: Elissa Gershowitz | Horn Book Magazine Issue: March, 2024

(2) YA Adapting Lee's 2015 adult title (The Making of Asian America) for a younger audience -- and beginning with a context-setting introduction about the lack of education about Asian and Asian American history -- the authors begin their account with the expansion of the Spanish Empire from the end of the fifteenth century through the mid-1700s. Short, accessibly written chapters aim to counter the sanitized (or ignored) history of Asian experiences in America, including those from East Asia, South Asia, and Southeast Asia. Taking a nonlinear approach, the book groups topics thematically, pairing and contrasting events and reintroducing people and ideas as they come up again. Callouts are used to explain terms and concepts; a list of racist so-called justifications is particularly effective in reminding readers of the different faces of bigotry. Lee and Soontornvat also highlight the ways public opinion and trending topics in the news change which groups get attention, forcing racial minorities to compete for resources. Especially illuminating are stories of Korean, Filipino, and South Asian people during WWII's Japanese internment as well as South Asian and Muslim experiences after 9/11. An informative, useful, and strong survey for those learning more about their own cultures and histories and about others'.

Reviewer: | Horn Book Magazine Issue: May, 2024

(1) 4-6 Brinkley Yearbooks series. This addition to the Brinkley Yearbooks graphic novel series (Picture Day, rev. 9/23) stands on its own. Alexandra Olsen -- or Al -- loves baseball. Her middle school's team has won nine back-to-back championships, and they are shooting for a "full decade of baseball dominance." With encouragement from the new coach, Al tries out and makes the cut; she becomes the only girl on the team. When the school's attention-obsessed athletic director calls in a news crew to report on the gender-inclusive baseball season, Al's teammates end up resenting her for hogging the spotlight despite her best efforts to share it. Meanwhile, the school's girls' basketball team is crushing it on the court, but their record-setting season is all but ignored. As Al tries to rebuild teamwork and trust on and off the field, her best friends are also branching out, joining the art club and resurrecting a retired school mascot (a goose called "The Brinkley Beak"). These friends are part of Al's stellar support system, which buoys her spirits as she reclaims and reframes her story. With bold black outlines, striking color work, and dynamic layouts, the art adds further depth to the well-paced plot, memorable characters, and well-realized setting. In one impressively delineated scene, characters converse clearly while playing a chaotic game of dodgeball. Rollicking and tender, this comic knocks it out of the park.

Reviewer: Elisa Gall | Horn Book Magazine Issue: July, 2024

(2) 4-6 Illustrated by Sylvia Bi. This energetic and optimistic graphic novel overflows with collectivism and an activist spirit. In the fictional world of Siannerra (inspired by Italian city-states of the late Middle Ages and Renaissance), Mestra Aronne prints and distributes avvisi--news-filled pamphlets--for her community. She also serves as mentor and caregiver for apprentice Cinzia, who walks using a cane. When one of the pamphlets informs the community that their magistrate is lying and stealing, guards show up to arrest both printer and apprentice. Cinzia escapes, aided by Contessina Elena, the daughter of the principessa and niece of the corrupt magistrate. Rumors about Elena abound (people say she is "odd" and unfit to rule), but Cinzia and Elena become fast friends. When the magistrate announces that Mestra Aronne will be hanged for treason, the girls--alongside like-minded allies--race to locate the evidence against the magistrate and distribute the truth to the people. Friendship, family, home, and political risk-taking are thoughtfully presented through well-paced dialogue and inset boxes showcasing characters' inner thoughts. Line work is clear and consistent, especially in jam-packed spreads and in sun-drenched red-orange hues of chaotic city scenes. Atmosphere is further delineated through swirling song lyrics and chants, spread in cursive across expertly placed panels. This lively, inclusive, and engaging story is also a timely reminder of the value of a free press.

Reviewer: Elisa Gall | Horn Book Magazine Issue: November, 2023

(2) YA Border-crossing is a major theme of Gansworth's (Onondaga Nation) complex novel, set on the Tuscarora Reservation. The novel itself also traverses a border: not between the U.S. and Canada but between YA and adult fiction, given its length and density, its twenty-five-year-old main character, and its mature sexual and violent themes. Extended flashbacks, however, focus on protagonist Brian's (Haudenosaunee) experience growing up in the 1970s and 1980s. Native and non-Native people alike have always looked down on him for being poor and for being a part of a family of medicine people. Now, as he's learning from the assignments he gets from his biased newspaper editor boss: "Your job is to explore the way you're different." In the early-1990s framing narrative, Brian must find out why his close friend--a man who is almost an uncle, though not related by blood--was beaten and left by the side of the road, a mystery connected to a handful of people who live on the reservation. This is fundamentally a story of balancing between cultures and about friendship between men. Fans of the author's work will notice characters, settings, and themes in common with his award-winning earlier YA titles (most recently Apple: Skin to the Core, rev. 11/20). Gansworth's black-and-white paintings, based on album cover art for the 1970s and 1980s classic rock band Rush, open each section with symbolic impact; an appended note discusses their role in the story and in the author's life.

Reviewer: | Horn Book Magazine Issue: January, 2023

(2) 4-6 Two jelly bean–shaped creatures, one blue, one pink, delve into the intricacies and duplicity behind one of the most insidious and pervasive issues of our time, and the first chapter of this middle-grade comic dives right in: "What Is Fake News?" Gravel (Arlo & Pips, rev. 1/21) does a fine job breaking down complex ideas, beginning with the definition of news ("information about important stuff that's happening in the world right now") and explaining that while disinformation is not new ("Hear ye, hear ye! An evil magician turned the king into a goat!"), the internet and other modern technologies have made it much easier to make lies look real and to intentionally spread them. The hows and whys are explored using specific, goofy fictional case studies; and people's motives (e.g., "Reason 1: To make money... Reason 2: To make money and get famous," etc.) are plainly laid out. Though the examples aren't necessarily serious, the consequences are: "So far, I have given you a bunch of silly examples of fake news," says the pink protagonist, "but fake news is not funny at all. It can actually be very dangerous." The tone is non-blame-y of consumers (but not purveyors) of fake news, with acknowledgment of the ease of being duped ("Admit it--you'd be curious, too") and useful advice about thinking critically, examining sources, etc. Well-delineated panel illustrations featuring blobby critters and pastel colors make these thorny concepts relatively easy to get and should leave many readers feeling empowered.

Reviewer: Elissa Gershowitz | Horn Book Magazine Issue: September, 2022

(2) 4-6 Illustrated by Andrea Bell. Eager to become an investigative reporter, tenacious twelve-year-old Ruthie begins an examination into polluted water at Particular Lake in her hometown of Twin Oaks. Her inquiry starts bumpily: her research is ­well-intentioned but incomprehensive, and she manages to ruffle a few feathers with her vigorous pursuit of the truth. With the mentorship of her older brother's girlfriend, who interns at the New York Times, and additional assistance from her science teacher, who teaches Ruthie's class about the water crisis in Flint, Michigan, Ruthie quickly learns that her sleuthing must be watertight to stand up to the ­corporate corruption she uncovers. Given its dedication (to "the people of Flint") and its biracial protagonist, readers might have expected this graphic novel to include deeper discussions of racial inequities in water advocacy, but the narrative does present a detailed, dedicated focus on the proper way to conduct an investigation to hold wrongdoers accountable. Bell's rounded, colorful art style feels modern and accessible to digitally savvy readers; it reminds them that Ruthie is still a kid and still learning, especially when she makes her more embarrassing mistakes. A refreshing addition to the contemporary graphic novel landscape for middle-graders and middle-schoolers.

Reviewer: Niki Marion | Horn Book Magazine Issue: July, 2021

(2) K-3 Illustrated by Robert Neubecker. Goldberg (1883–1970) dreamed of becoming a newspaper cartoonist but initially studied engineering. Eventually Goldberg was hired as a cartoonist at the New York Evening Mail, where he concocted the "screwball contraptions" we now call Rube Goldberg machines. Aronson notes that Goldberg "drew comics to make us look closer"; fittingly, this thoughtful, playful picture-book biography does just that, with whimsical pencil, ink, and digital illustrations capturing the intricacies of the imagined machines. Bib.

Reviewer: Tanya D. Auger | Horn Book Magazine Issue: May, 2019

(2) YA Belles series. Camille, Rémy, and Edel (The Belles) work with an underground resistance movement to return the rightful heir to the throne, while Camille attains even greater supernatural abilities. Clayton further develops the world-building of Orléans with a wider landscape, more steampunk-meets-magic technology, and new details of Orléansian spiritual beliefs. Fans will eagerly revisit this lavishly imagined, immersive fantasy realm, which Clayton effectively uses to critique several ugly aspects of our own society.

Reviewer: Katie Bircher | Horn Book Magazine Issue: March, 2019

(4) 4-6 Denver tween Kazu Jones uses her daily paper route to hone her detective skills. A dognapper is on the loose, and Kazu (with the help of her sometimes-reluctant friends) starts building a case against a creepy-seeming neighbor. Then her own beloved pup is snatched, and Kazu's motivation--and the danger--increases. Many exploits strain credulity, but themes of kid-power and animal friendship come through.

Reviewer: Elissa Gershowitz

(3) K-3 Illustrated by Don Tate. Hopkinson's inspiring story explains how young Carter G. Woodson (1875–1950) read the newspaper to his father and fellow coal miners. Their desire to be informed citizens, plus a challenge from his Harvard professor, led Woodson to later establish Negro History Week, predecessor to Black History Month. Tate's engaging mixed-media illustrations and endpaper drawings include portraits of Black leaders throughout history. Timeline, websites. Bib.

Reviewer: Monique Harris

(2) 4-6 In a Little Women-inspired novel, thirteen-year-old Jameela lives with her Muslim family in Atlanta. This Eid holiday their beloved father is away; a (good-looking) nephew of a family friend visits; and Jameela butts heads with her school newspaper's editor, who never approves her hard-hitting pitches. Then her sister is diagnosed with cancer, and Jameela must reevaluate her priorities. This modern-day Pakistani American family-story retains the charm, familial warmth, and appeal of Alcott's classic.

Reviewer: | Horn Book Magazine Issue: September, 2019

(4) YA The complicated topic receives earnest if superficial treatment in this slim, densely-printed volume. Miller traces a continuum, from medieval blood libels to "Pizzagate," and attempts to differentiate between real fake news and those who decry unfavorable press using the epithet. In his attempts to be timely, Miller refers to the Mueller Report, but the text is, of course, already dated. Reading list, websites. Bib., glos., ind.

Reviewer: Miriam Lang Budin

(3) YA A newly discovered ability to channel the perspective of an unknown serial killer raises a serious dilemma for sixteen-year-old morgue reporter Nathalie Baudin: reveal her supernatural powers and aid the police, or reject them for a life of normalcy? Set in nineteenth-century Paris, a time when the city's fascination with death warranted daily newspaper morgue reports, this eerie historical mystery will appeal to fans of Gothic thrillers.

Reviewer: Grace Enriquez

(3) 4-6 Magnificent Mya Tibbs series. Illustrated by Eda Kaban. An adorable new baby sister leaves African American Mya feeling overlooked. A school project might just be the perfect opportunity for the now-middle child to distinguish herself. Meanwhile, Mya is also in the middle when her besties, twins Skye and Starr, become close with Mya's estranged friend, Naomi. The quirky, relatable Texas girl's third story probes the evolution of family and friendship with compassion and heart.

Reviewer: Rebecca Kirshenbaum

(3) K-3 Illustrated by Masha D'yans. "Pictures were his words, fashion his language." Blumenthal's quote-filled tribute to New York Times street-fashion photographer Bill Cunningham focuses on his approach. D'yans's vibrant watercolors catwalk across each page, emphasizing the patterns, palettes, and shapes of the clothing that so enamored Cunningham; the man himself is fittingly pictured where he most liked to be: behind the camera. An author's note provides more straightforward biographical information. Bib.

Reviewer: Erica Wetter

(3) K-3 Illustrated by S. D. Schindler. In a rollicking, lively storyteller's voice, Bowman relates a little-known insult gone wrong, the ensuing almost-duel between Abraham Lincoln and fellow Illinois state congressman James Shields, and the lessons both men learned. Watercolor and ink illustrations convey the story's mood and the 1842 setting. An afterword gives additional facts about the incident, its players, and the politics and economy of the time. Bib.

Reviewer:

(3) YA Scholarship student Sam Barker, fifteen, is determined to succeed at prestigious Edwards Academy and go on to Harvard. Challenging academics and peer hazing make for a rough start, but at least she's friendly with her roommate. When the polo-team captain rapes Sam, the boarding school (per its "Honor Code") seems determined only to "keep this community sacred." A powerful, timely story about sexual assault, privilege, and justice.

Reviewer: Grace Enriquez